The party finally ends

The road goes on to Dallas' Deep Ellum for Robert Earl Keen's final tour

Robert Earl Keen is at the end of the road.

Photo by Melanie Maganias Nashan

The road, it seems, does not go on forever, and the party — at least the live one — is wrapping up for legendary Texas songwriter Robert Earl Keen. In January 2022, he announced his decision to retire at the top of his game, and the acclaimed musician is now making the most of his final touring year with a romping, rowdy set of shows across his home state of Texas — including in Dallas' Deep Ellum.

He'll bring his "World Tour of Texas" to The Factory in Deep Ellum for one night only, Wednesday, August 24. The next night he'll take the stage at Billy Bob's Texas in Fort Worth. (It'll be a return "final tour" engagement in Fort Worth, as he just played there as part of the PBR World Finals Concert Series at Will Rogers Auditorium on May 21.)

“I’ve been blessed with a lifetime of brilliant, talented, colorful, electrical, magical folks throughout my life,” Keen shared in a video on his social media channels. “This chorus of joy, this parade of passion, this bull rush of creativity, this colony of kindness and generosity are foremost in my thoughts today. It’s with a mysterious concoction of joy and sadness that I want to tell you that as of September 4, 2022, I will no longer tour or perform publicly.”

The final leg of his final tour will kick off in Corpus Christi on August 4 and run through September 4, making stops at several Texas institutions, including two nights at the legendary Gruene Hall in New Braunfels (August 17-18), one show at The Cynthia Woods Mitchell Pavilion near Houston (August 20), and two nights at ACL Live at the Moody Theater in Austin (August 28-29).

With a catalog of 21 albums, his band of stellar musicians, and many thousands of shows under his belt, Keen has earned living-legend status in the Americana music world. A Houston native, he grew up on classic rock and Willie Nelson records, teaching himself the guitar by the time he entered Texas A&M University. Keen co-wrote “The Front Porch Song” with fellow Texas legend and friend Lyle Lovett, which both artists recorded on their debut albums.

Keen followed in the footsteps of some of the Lone Star State’s most revered singer-songwriters, producing and financing his first album No Kinda Dancer before moving to Nashville. By the time he moved back to Texas, he had a publishing deal, a new label, and a national booking agent. He released The Live Album and West Textures, the seminal album which debuted what remains his all-time fan favorite, "The Road Goes on Forever."

Since then, two more albums, A Bigger Piece of Sky and Gringo Honeymoon, produced instant classics like "Corpus Christi Bay," "Gringo Honeymoon," "Dreadful Selfish Crime," and "Merry Christmas from the Family.” Keen’s acclaim as a writer has earned him membership in the Texas Heritage Songwriter Hall of Fame, The Texas Cowboy Hall of Fame, and the Texas Institute of Letters.

While Keen will continue to write music, host his popular podcast, support young artists, and follow his artistic muse wherever it takes him, his already-sold-out final public concert will be September 4 at John T. Floores Country Store in Helotes, Texas, followed by a fan appreciation party at the same venue on September 5.

Below is the complete list of dates and venues for his World Tour of Texas. Local presale tickets will go on sale on Thursday, May 26, from 10 am-10 pm. All tickets will be on sale Friday, May 27, at 10 am, through his tour site.

August 4 — Concrete Street Amphitheater, Corpus Christi
August 5 — Tobin Center for the Performing Arts, San Antonio
August 6 — KOKE Fest, Hutto
August 12 — Starlight Ranch, Amarillo
August 17-18 — Gruene Hall, New Braunfels
August 19 — The Grand 1894 Opera House, Galveston
August 20 — Texas Uprising, The Cynthia Woods Mitchell Pavilion, Houston
August 21 — Julie Rogers Theater, Beaumont
August 24 — The Factory Deep Ellum, Dallas
August 25 — Billy Bob’s Texas, Fort Worth
August 26 — Wagner Noel Performing Arts Center, Midland
August 28-29 — ACL Live at the Moody Theater, Austin
September 1 — Floore’s Country Store, Helotes (sold out)
September 2 — TBA, College Station
September 3-4 — Floore’s Country Store, Helotes (sold out)

texas music tours

Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026

Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season