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    Movie Central

    5 must-see events at the 2013 Oak Cliff Film Festival

    Alex Bentley
    Jun 6, 2013 | 12:02 pm

    April is usually prime time for movie lovers in the Dallas area, as the month features both the Dallas International Film Festival and the USA Film Festival's main event. But the burgeoning Oak Cliff Film Festival, now in its second year, is expanding not only the calendar for film appreciation, but also the venues in which to appreciate movies.

    Most of the screenings for the festival are held in historic theaters — Texas Theatre, Bishop Arts Theatre Center and The Kessler. All three have been rescued from the wrecking ball by preservationists, and they each now host events of one kind or another on a consistent basis.

    Because catching every offering is impossible, here are five options to give you a good feel for what the Oak Cliff Film Festival is all about:

    Thursday, June 6

    Pussy Riot: A Punk Prayer
    Drinking Buddies rightly headlines opening night, but make some time for this documentary about Pussy Riot, an all-female punk group in Russia who have run afoul of authorities by performing anti-government songs in forbidden locations. The film will likely open your mind, and it's also the only free event at the festival.

    Friday, June 7

    Screenings hosted by director David Lowery
    Dallas native David Lowery, who's earned all sorts of acclaim for his soon-to-be-released film Ain't Them Bodies Saints, hosts both a retrospective screening of Robert Altman's McCabe & Mrs. Miller and a secret screening. Could the secret screening be a sneak preview of Saints, which won't get released until August? You'll just have to go and find out.

    Saturday, June 8

    Digital Disruption and Afterlife of the Arthouse
    This panel discussion exemplifies the esthetic of the festival. A group of film experts — Lowery, A.A. Dowd from The A.V. Club, Kim Yutani from the Sundance Film Festival, and Jason Reimer, owner of the Texas Theatre, among others — will discuss the future of cinema, fundraising and distribution.

    Loves Her Gun
    The debate over guns and gun culture is as an ultra-hot topic in the United States right now, so this film from Austin-based writer/director Geoff Marslett couldn't be any more timely. It follows a woman who moves from New York to Austin to try to escape violence, only to end up back in the same spot in gun-happy Texas.

    Sunday, June 9

    Awards ceremony and beer tasting
    You can celebrate the festival's success and/or your ability to sit through a long stretch of movies by toasting the winners of the festival with a few good craft brews at Four Corners Brewing Co. on Sunday.

    The historic Texas Theatre hosts most of the screenings for the Oak Cliff Film Festival, as well as the panel discussion Digital Disruption and the Afterlife of the Arthouse on June 8.

    Texas Theatre
    Photo courtesy of Texas Theatre
    The historic Texas Theatre hosts most of the screenings for the Oak Cliff Film Festival, as well as the panel discussion Digital Disruption and the Afterlife of the Arthouse on June 8.
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    news/entertainment

    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 9:13 am
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
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    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Frankenstein and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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