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    Movie Central

    5 must-see events at the 2013 Oak Cliff Film Festival

    Alex Bentley
    Jun 6, 2013 | 12:02 pm

    April is usually prime time for movie lovers in the Dallas area, as the month features both the Dallas International Film Festival and the USA Film Festival's main event. But the burgeoning Oak Cliff Film Festival, now in its second year, is expanding not only the calendar for film appreciation, but also the venues in which to appreciate movies.

    Most of the screenings for the festival are held in historic theaters — Texas Theatre, Bishop Arts Theatre Center and The Kessler. All three have been rescued from the wrecking ball by preservationists, and they each now host events of one kind or another on a consistent basis.

    Because catching every offering is impossible, here are five options to give you a good feel for what the Oak Cliff Film Festival is all about:

    Thursday, June 6

    Pussy Riot: A Punk Prayer
    Drinking Buddies rightly headlines opening night, but make some time for this documentary about Pussy Riot, an all-female punk group in Russia who have run afoul of authorities by performing anti-government songs in forbidden locations. The film will likely open your mind, and it's also the only free event at the festival.

    Friday, June 7

    Screenings hosted by director David Lowery
    Dallas native David Lowery, who's earned all sorts of acclaim for his soon-to-be-released film Ain't Them Bodies Saints, hosts both a retrospective screening of Robert Altman's McCabe & Mrs. Miller and a secret screening. Could the secret screening be a sneak preview of Saints, which won't get released until August? You'll just have to go and find out.

    Saturday, June 8

    Digital Disruption and Afterlife of the Arthouse
    This panel discussion exemplifies the esthetic of the festival. A group of film experts — Lowery, A.A. Dowd from The A.V. Club, Kim Yutani from the Sundance Film Festival, and Jason Reimer, owner of the Texas Theatre, among others — will discuss the future of cinema, fundraising and distribution.

    Loves Her Gun
    The debate over guns and gun culture is as an ultra-hot topic in the United States right now, so this film from Austin-based writer/director Geoff Marslett couldn't be any more timely. It follows a woman who moves from New York to Austin to try to escape violence, only to end up back in the same spot in gun-happy Texas.

    Sunday, June 9

    Awards ceremony and beer tasting
    You can celebrate the festival's success and/or your ability to sit through a long stretch of movies by toasting the winners of the festival with a few good craft brews at Four Corners Brewing Co. on Sunday.

    The historic Texas Theatre hosts most of the screenings for the Oak Cliff Film Festival, as well as the panel discussion Digital Disruption and the Afterlife of the Arthouse on June 8.

    Texas Theatre
    Photo courtesy of Texas Theatre
    The historic Texas Theatre hosts most of the screenings for the Oak Cliff Film Festival, as well as the panel discussion Digital Disruption and the Afterlife of the Arthouse on June 8.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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