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    Inert Alien Invasion

    Even a cocky Tom Cruise can't push Edge of Tomorrow out of neutral

    Alex Bentley
    Jun 6, 2014 | 10:35 am
    Even a cocky Tom Cruise can't push Edge of Tomorrow out of neutral
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    When we first encounter Tom Cruise in Edge of Tomorrow, he, as Major William Cage, is at his smarmy best, shilling to TV news shows on behalf of a global military alliance created to combat an alien invasion. No one quite does cocky the way that Cruise does, which is one reason he’s still able to pull off being an action hero at age 52.

    A whole movie of that is a bit much, though, so Cage is fortunately unwittingly thrown to the front lines of the war, something he, as a PR expert, is utterly incapable of handling. Sure enough, he gets killed minutes into a planned invasion, but not before one alien he manages to kill sprays him with its blood.

    That blood turns out to magical, as it gives him the ability to live the same day over and over again, something he eventually learns to utilize to his advantage.

    ​ The issue is that the film, by virtue of its constant repetition, makes it difficult to build up any kind of emotional investment in the outcome.

    He joins forces with war hero Rita Vrtaski (Emily Blunt), who experienced the same thing previously before losing the ability, and the two of them do their damnedest to manipulate both time and the war.

    The obvious comparison for this film is Groundhog Day, and just as in that movie, it’s the trial and error period in which Cage tries to figure things out that’s the most entertaining.

    However, instead of simply living out the day and waking up again, Cage must be killed to restart. The inventive ways in which they off him, especially those involving Vrtaski, make the first third of the film as much a comedy as an action movie.

    It’s when the film settles down into the business of solving the central problem, i.e. killing the alien invaders, that it loses a bit of steam. This is through no fault of the interplay between Cruise and Blunt, who make a surprisingly solid team.

    The issue is that the film, by virtue of its constant repetition, makes it difficult to build up any kind of emotional investment in the outcome. The story implies that Cage regenerates thousands, if not millions, of times, making it a case of when, not if, he will succeed.

    In other words, the only obstacle is time itself, not the actual aliens that they’re fighting. For all the impact they make on the film, the aliens might as well be invisible. While the film still has its fair share of great action sequences, it’s really only the film’s climax in which the aliens play any significant part at all.

    The film deserves credit for mostly staying away from romantically pairing Cruise and Blunt, which was a nice break from conventional action movie plots. Brendan Gleeson and Bill Paxton do good work in supporting roles, but hardly anyone else makes an impression.

    Edge of Tomorrow proves that Cruise still hasn’t lost his touch when it comes to action movies, but the inert opponent he’s up against keep the film from being an all-out winner.

    Tom Cruise dons some heavy duty military equipment in Edge of Tomorrow.

    Tom Cruise in Edge of Tomorrow
    Photo by David James
    Tom Cruise dons some heavy duty military equipment in Edge of Tomorrow.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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