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    Movie Review

    Won't You Be My Neighbor? shares Mister Rogers' legacy and love

    Alex Bentley
    Jun 8, 2018 | 2:28 pm
    Won't You Be My Neighbor? shares Mister Rogers' legacy and love
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    For anyone who grew up between 1968 and 2001, Mister Rogers’ Neighborhood and its star, Fred Rogers, will forever hold a place in the heart. His brand of straightforward, non-flashy entertainment for children was a shining beacon of hope in a cynical world.

    Documentarian Morgan Neville (20 Feet from Stardom, The Music of Strangers) has honored Rogers and his legacy with his new film, Won’t You Be My Neighbor? Using a variety of interviews, including with Rogers’ widow, Joanne, and much of the show’s staff, Neville traces how Rogers went from a would-be Presbyterian minister to one of the most beloved television personalities of all time.

    Very little, aside from perhaps the fact that Rogers was a lifelong Republican, will come as a surprise to anyone who had a chance to watch him over the years. He started his career with the belief that children would be better served by honest communication instead of bells and whistles, and his force of will enabled him to continue that mission on public television for over 30 years.

    He embodied the saying “What you see is what you get,” in that the engaging and wide-open friendliness he portrayed on the show was exactly what he was like in real life. And because he was almost always true to his core beliefs and easygoing personality, his influence spread far and wide, including to members of Congress who opposed funding of shows like his.

    The film is no hagiography, though, as Neville is not afraid to show some of Rogers’ warts. This includes not allowing Francois Clemmons, who played Officer Clemmons on the show, to live openly as a gay man if he wanted to remain on the program. And, according to one staff member, Rogers enjoyed a bawdy joke as much as the next person.

    But, as seen through clips of the show and the corroborating interviews, Rogers’ good points far outweighed any bad. He had a way of approaching topics that would be taboo anywhere else in a manner that made them digestible and understandable for kids of all ages. His use of puppets and other relatable things allowed him to broach topics like death, divorce, and racial relations that most kids' programs wouldn’t touch with a 10-foot pole.

    Calling someone or something “unique” has become cliché, but if the term applies to anyone, it belongs to Fred Rogers. He stood for truth and goodness in a world that often eschews those values, and he became iconic because of it. This film is a welcome reminder that we would all do well to be a little more like Mr. Rogers.

    Fred Rogers in Won't You Be My Neighbor?

    Fred Rogers in Won't You Be My Neighbor
    Photo by Jim Judkis/Focus Features
    Fred Rogers in Won't You Be My Neighbor?
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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