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    Movie Review

    Won't You Be My Neighbor? shares Mister Rogers' legacy and love

    Alex Bentley
    Jun 8, 2018 | 2:28 pm
    Won't You Be My Neighbor? shares Mister Rogers' legacy and love
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    For anyone who grew up between 1968 and 2001, Mister Rogers’ Neighborhood and its star, Fred Rogers, will forever hold a place in the heart. His brand of straightforward, non-flashy entertainment for children was a shining beacon of hope in a cynical world.

    Documentarian Morgan Neville (20 Feet from Stardom, The Music of Strangers) has honored Rogers and his legacy with his new film, Won’t You Be My Neighbor? Using a variety of interviews, including with Rogers’ widow, Joanne, and much of the show’s staff, Neville traces how Rogers went from a would-be Presbyterian minister to one of the most beloved television personalities of all time.

    Very little, aside from perhaps the fact that Rogers was a lifelong Republican, will come as a surprise to anyone who had a chance to watch him over the years. He started his career with the belief that children would be better served by honest communication instead of bells and whistles, and his force of will enabled him to continue that mission on public television for over 30 years.

    He embodied the saying “What you see is what you get,” in that the engaging and wide-open friendliness he portrayed on the show was exactly what he was like in real life. And because he was almost always true to his core beliefs and easygoing personality, his influence spread far and wide, including to members of Congress who opposed funding of shows like his.

    The film is no hagiography, though, as Neville is not afraid to show some of Rogers’ warts. This includes not allowing Francois Clemmons, who played Officer Clemmons on the show, to live openly as a gay man if he wanted to remain on the program. And, according to one staff member, Rogers enjoyed a bawdy joke as much as the next person.

    But, as seen through clips of the show and the corroborating interviews, Rogers’ good points far outweighed any bad. He had a way of approaching topics that would be taboo anywhere else in a manner that made them digestible and understandable for kids of all ages. His use of puppets and other relatable things allowed him to broach topics like death, divorce, and racial relations that most kids' programs wouldn’t touch with a 10-foot pole.

    Calling someone or something “unique” has become cliché, but if the term applies to anyone, it belongs to Fred Rogers. He stood for truth and goodness in a world that often eschews those values, and he became iconic because of it. This film is a welcome reminder that we would all do well to be a little more like Mr. Rogers.

    Fred Rogers in Won't You Be My Neighbor?

    Fred Rogers in Won't You Be My Neighbor
    Photo by Jim Judkis/Focus Features
    Fred Rogers in Won't You Be My Neighbor?
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
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    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

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    Marty Supreme opens in theaters on December 25.

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