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    Movie Review

    Jurassic World Dominion roars back with fun but needlessly complex story

    Alex Bentley
    Jun 9, 2022 | 3:30 pm
    Chris Pratt in Jurassic World Dominion.play icon
    Chris Pratt in Jurassic World Dominion.
    Photo courtesy of Universal Pictures and Amblin Entertainment

    The biggest problem with the first two Jurassic World movies was the lack of a compelling, coherent narrative. The first never bothered to explain how they went from the cataclysmic events of the original trilogy to a full-blown dinosaur theme park, and the second was two different movies that never coalesced into one. So now comes Jurassic World Dominion, which once again plays on nostalgia for the original Jurassic Park while attempting to bring something new to the table.

    After their escape at the end of Fallen Kingdom, dinosaurs now populate every continent on Earth, bringing with them the expected good and bad actors. On the good side are Owen (Chris Pratt), who wrangles them for scientific purposes, and Claire (Bryce Dallas Howard), still hellbent on saving every dinosaur she can. The two are now an actual couple, shacked up in the wilderness, taking care of Maisie (Isabelle Sermon), who was left an orphan in the previous film.

    On the bad side is Biosyn, led by Lewis Dodgson (Campbell Scott), a company that promises to use genetic advances to help feed the world, but which also unleashes monster locusts onto any crops not grown by them. Ian Malcolm (Jeff Goldblum) is employed by the company, and he invites his old friends Ellie Satler (Laura Dern) and Alan Grant (Sam Neill) to come tour Biosyn’s headquarters, and if they find anything nefarious, then so be it.

    Directed by Colin Trevorrow and written by Trevorrow and Emily Carmichael, the film is packed full of ideas and subplots, some of them more well thought-out than others. Unlike the previous two films, they actually explain what transpired in the four years between the two films, grounding the audience before the chaos that follows. And the reintroduction of Ellie and Alan isn’t overdone, allowing the characters to reintegrate back into the story with little fuss.

    The main roadblock of the film is how overcomplicated it gets. The Owen/Claire duo and Ellie/Alan duo are separated for most of the film, and they hop around to multiple different countries in service of subplots that only make a little bit of sense. Much of it feels like the filmmakers trying to justify the continued separation of the two groups, and so they give them a lot to do at different stops, even if what transpires there is ridiculous.

    Amid the absurdity, however, the film does have the requisite exciting action scenes. One sequence that introduces a new character, pilot Kayla Watts (DeWanda Wise), takes on a James Bond feeling with chases through buildings and tight streets. And naturally there are lots of encounters with and fights among dinosaurs. They attempt to introduce yet another apex predator into the film, but its fearsomeness never really connects.

    The film gets fast and loose toward the end, often making jumps in time that elide certain tense moments. It’s strange how they can make a movie that’s two-and-a-half hours long and still cut narrative corners in order to shoehorn in even more story. Still, most of them are forgivable, especially when they include callbacks to the original Jurassic Park that will have fans cheering.

    No one goes to see a Jurassic World movie for the acting, but it’s still nice to see each of the main actors reprise their roles in believable and fun ways. Wise is a great addition, not only for her calm-under-pressure demeanor but also for her hypnotic eyes. Also scoring points is Mamoudou Athie, who plays Dodgson’s right-hand man, Ramsay Cole. You believe every word that he says even when it’s clear he’s lying, a smoothness that’s rare among actors.

    It may be damning with faint praise to say that Jurassic World Dominion is the best of the Jurassic World trilogy, but at least it seems like they put in the extra effort toward telling a comprehensible story. They don’t always succeed, mind you, but at least the end result doesn’t make you wish for your time and money back.

    ---

    Jurassic World Dominion opens in theaters on June 10.

    Chris Pratt in Jurassic World Dominion.

    Chris Pratt in Jurassic World Dominion
    Photo courtesy of Universal Pictures and Amblin Entertainment
    Chris Pratt in Jurassic World Dominion.
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    Movie Review

    Alexander Skarsgård commands the bold, offbeat drama Pillion

    Alex Bentley
    Feb 20, 2026 | 11:45 am
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

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