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Back to School

Monsters University makes the grade for Pixar

Alex Bentley
Jun 20, 2013 | 6:00 am
Monsters University makes the grade for Pixar
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Success can be a movie studio’s own worst enemy. The quality of the majority of Pixar’s films have been such that any deviation from that norm is considered to be disappointing, even if the substandard film outshines most other animated offerings.

After delivering a great finale to the Toy Story trilogy, Pixar is in a bit of slump after the horrendous Cars 2 and the so-so Brave. To try to break out, Pixar is going back to the well of familiar characters with Monsters University, marking the first prequel in its history.

Aside from maybe The Incredibles, it’s hard to think of another Pixar film that better deserved the prequel treatment than Monsters, Inc. The opportunity to see how Mike (Billy Crystal) and Sully (John Goodman) met and acted in college is darn near irresistible.

Monsters University doesn’t reach the heights of Pixar’s classics, but it’s a vast improvement over its previous two offerings.

The set-up is great too. Mike dreams his entire life — footage of him as a kid is priceless — of going to Monsters University and becoming a full-fledged scarer. Once he gets there, though, he finds out that desire and ability may not exactly be the same thing, especially when there are truly scary monsters like Sully in his way.

The filmmakers do a lot of things right, including playing just enough on character nostalgia so as to make things familiar, but not so much that they’re just repeating themselves. There are also a number of clever twists on the college experience from the monster perspective, including dorm life, fraternities and sports.

On the down side, though, the main thrust of the film is a timeworn plot that’s all the less fresh for how much it’s been used lately. Mike and Sully are forced to team up with a fraternity filled with outcasts and misfits in order to prove their worth. Each of the members has their individual charms, but that doesn’t hide the rote nature of their presence.

Still, there’s just something special about being back in the world of scaring, and seeing how the combative nature of Mike and Sully’s friendship evolves never fails to entertain. That’s mostly thanks to the voice talents of Crystal and Goodman, who both know their way around a good joke.

New additions such as Helen Mirren as Dean Hardscrabble, Sean Hayes and Dave Foley as twins sharing the same body, and Nathan Fillion as the head of a rival fraternity keep the movie popping. And callbacks to characters like Randy (Steve Buscemi), Roz (Bob Peterson) and Henry J. Waternoose are executed flawlessly.

Monsters University doesn’t reach the heights of Pixar’s classics, but it’s a vast improvement over its previous two offerings. And fans of original storytelling will be glad to know that Pixar’s next two films – The Good Dinosaur and Inside Out – are all new.

Mike Wazowski is all smiles when he first gets to Monsters University.

Monsters University
Photo courtesy of Disney Pixar
Mike Wazowski is all smiles when he first gets to Monsters University.
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Movie Review

Spider-Man: Brand New Day sets a new standard for comic book movies

Alex Bentley
Jul 30, 2026 | 1:02 pm
Tom Holland in Spider-Man: Brand New Day
Photo courtesy of Sony Pictures
Tom Holland in Spider-Man: Brand New Day.

Ever since Spider-Man became part of the Marvel Cinematic Universe, the character’s stand-alone movies have been notable for maintaining their own vision despite having to service the larger MCU storyline. The emotionality of the series reached its high point in No Way Home by bringing back two former Spider-Mans - Tobey Maguire and Andrew Garfield - to assist Tom Holland in a multiversal storyline.

The heart displayed in that film is superseded by Spider-Man: Brand New Day, in which Peter Parker (Holland) is now alone in the world following the events of the previous film. For years, he has done his best to stay busy by stopping in-progress crimes and checking in with Detective Jean DeWolff (Liza Colón-Zayas), but the twin traumas of losing Aunt May (Marisa Tomei) and forcing girlfriend MJ (Zendaya) and best friend Ned (Jacob Batolon) to forget him still weigh heavily on him.

Almost simultaneously, Peter starts experiencing a change in his physiology and is challenged by a new threat who has a power he does not know how to defeat. As he struggles with both of those things, he asks for help from a variety of sources, including Professor Bruce Banner (Mark Ruffalo), Frank Castle, aka The Punisher (Jon Bernthal), and - despite not knowing who he is - MJ and Ned, who are now roommates in New York following their college years at MIT.

Directed by Dustin Daniel Cretton and written by Chris McKenna and Erik Sommers (who have written each of the Holland Spider-Man films), the movie has a near-perfect blend of comic book spectacle and small-scale intimacy. Spider-Man’s ability to swing through New York’s urban landscape with ease provides plenty of opportunities for great action sequences, but the character’s focus on keeping the streets safe and finding a way back to his friends makes the story still feel manageable.

This is aided by the decision to not go overboard with the MCU connections. Bruce Banner/Hulk and a member of the New Avengers show up, but in relatively small roles. The Punisher makes the leap from TV to the movies, and the interaction between him and Spider-Man feels organic. So too does the super-secret villain, whose impact is felt well before they ever show up on screen thanks to a power that is as mysterious as it is effective.

While the action is abundant in the film, the filmmakers lean on emotion much more than most other comic book movies. Peter’s journey back to a semblance of a normal life is well-earned, with his reconnection with MJ and Ned slow-walked in an admirably subtle way. And in the final act, when CGI battles typically take over, the interior lives of Peter and other characters play as much a role in what happens as anything they do physically.

Holland, who tends to take criticism for non-Spider-Man roles, remains the ideal actor for the role. His open-heartedness makes him relatable, his athleticism makes him believable, and he crushes the heavier moments. He and Zendaya, who are now married in real life, work tremendously well together, and Batalon is a fun third wheel. Other standouts include Bernthal, Colón-Zayas, Trammell Tillman, and Stranger Things’ Sadie Sink.

From beginning to end, Spider-Man: Brand New Day now owns the title as best movie in the current Spider-Man universe. By maintaining connections to past movies, solidly incorporating new characters, and pointing to the future without making it the whole story, it demonstrates a model for how comic book movies should be done.

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Spider-Man: Brand New Day opens in theaters on July 31.

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