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    Movie Review

    The future is now in so-so sci-fi/action film The Tomorrow War

    Alex Bentley
    Jul 1, 2021 | 2:00 pm
    The future is now in so-so sci-fi/action film The Tomorrow War
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    Creating a new, original blockbuster type of movie is almost impossible in this day and age. Most studios prefer to go the tried-and-tested route, rebooting old properties or adapting a best-selling book series to guarantee audience interest. The new sci-fi/action film The Tomorrow War doesn’t have either of those, but it does have Chris Pratt, who all but screams blockbuster given his prominent roles in the Jurassic World, Guardians of the Galaxy, and Lego Movie franchises.

    Pratt plays Dan Forester, a mild-mannered science teacher whose life – along with everyone else on Earth – is thrown into turmoil when a group of humans arrives from 30 years in the future to announce that the world has been overrun by aliens. The monsters – nicknamed White Spikes – are so overpowering that the human population has dipped to near extinction levels.

    In desperation, the future humans are calling on the current-day humans to travel back to the future with them and join the fight. Due to the high number of military casualties, governments around the world institute a draft, roping in civilians like Forester and many others. The bulk of the film takes place in the future as Forester and his fellow untrained soldiers learn how terrifying the White Spikes actually are.

    Directed by Chris McKay and written by Zach Dean, the film doesn’t give short shrift to the heart department. When he gets drafted, Forester leaves behind his wife, Emmy (Betty Gilpin), and daughter, Muri (Ryan Kiera Armstrong), and the impact his absence has is far bigger than he could have imagined. The emotions of that bond, as well as the terror experienced by people with no combat experience when they’re thrown into the middle of an apocalyptic world, are palpable.

    But, of course, this is primarily an action movie and that’s where the focus is for most of its overlong 2 hours and 20 minutes. Many of the scenes are chaotic, with the new arrivals having no idea what to do in unfamiliar surroundings and the speed and ferocity of the aliens adding to the pandemonium. McKay and his team are relatively effective in staging the sequences, although they rely a bit too often on random unnamed characters dying, with the main group miraculously surviving against all odds.

    Things get more and more silly as the movie goes along, although the story never goes completely off a cliff like some other action films. The time travel aspect creates some seemingly impossible scenarios, but they resolve the conundrums nicely by the time the film comes to an end.

    Pratt, who famously got his big break on Parks & Recreation, is surrounded by a bunch of other actors previously best known for their TV work. In addition to Gilpin (GLOW), the cast boasts Yvonne Strahovski (Chuck, The Handmaid’s Tale), Sam Richardson (Veep), Mary Lynn Rayskub (24), and more. It’s possible they were cast precisely because of their small-screen appeal, giving their characters a more human feel than big-time movie stars might.

    The Tomorrow War is the kind of movie that would play much better on a big screen than on whatever device viewers choose to watch Amazon Prime Video. But such is the way of the world these days, and the film still has more pluses than minuses, making it a positive experience no matter where you view it.

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    The Tomorrow War will stream exclusively on Amazon Prime Video starting July 2.

    Chris Pratt in The Tomorrow War.

    Chris Pratt in The Tomorrow War
    Photo courtesy of Amazon Studios
    Chris Pratt in The Tomorrow War.
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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

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    Tow is now showing in theaters.

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