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    Movie Review

    Plot complications swarm but don't sting the fun of Ant-Man and the Wasp

    Alex Bentley
    Jul 5, 2018 | 2:28 pm
    Plot complications swarm but don't sting the fun of Ant-Man and the Wasp
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    Watching movies in the Marvel Cinematic Universe can be an exhausting experience, as few of the films allow viewers to skip an installment. There are some where a lack of knowledge about previous films doesn’t hurt the understanding of the current film, but the majority of them make the most sense when you come in knowing everything that came before.

    The original Ant-Man, in 2015, was firmly in the former category, but for the sequel, Ant-Man and the Wasp, you’d best be sure you’re up on all the latest MCU happenings. Scott Lang (Paul Rudd) is under house arrest after his participation in the civil war part of Captain America: Civil War. That means no leaving the house for any reason, especially when it comes to donning the Ant-Man suit.

    Naturally, Hank Pym (Michael Douglas) and his daughter, Hope Van Dyne aka Wasp (Evangeline Lilly), have a mission that requires his help ASAP. Namely, they think they have figured out a way to get Janet (the newly invigorated Michelle Pfeiffer), Hank’s wife and Hope’s mother, out of the Quantum Realm, a sub-atomic level she got stuck in many years ago.

    If the cadre of writers (which included Rudd and four others) had left it there with a few embellishments, it probably would have been equally as fun as the first film. Instead, it becomes a bit too complicated for its own good. The heroes fight for control of a certain crucial element with a semi-villain named Ava/Ghost (Hannah John-Kamen) and another group headed by Sonny Burch (Walton Goggins). That’s not to mention the threat of the FBI and agent Jimmy Woo (Randall Park) busting Scott for not obeying his house arrest.

    Still, the writers and director Peyton Reed throw in enough fun elements to keep the film nice and breezy. It’s next to impossible not to smile when the film turns something that’s supposed to be big into a tiny version of itself or vice versa. That’s especially true of Pym’s lab, a multistory building that is shrunk down to suitcase size (complete with handle and wheels) on multiple occasions.

    The action sequences are sufficient if slightly underwhelming. It can be a kick seeing both Ant-Man and the Wasp shrink and grow on demand, but the side effect is that it’s difficult to keep up with them. You take for granted that they can appear out of nowhere to save the day, which lessens the impact of their heroics.

    And for anyone wondering how this film explains how its characters are affected by the cataclysmic events seen in Avengers: Infinity War, well, that’s what the end credit sequences are for.

    Rudd, Lilly, Douglas, and Michael Pena, who heads up Lang’s burgeoning security consultant company, are each just as good as they were in the first film. John-Kamen doesn’t have much to work with as Ghost, and neither does Laurence Fishburne as Pym’s former colleague, Dr. Bill Foster. Both of their characters could have been excised with little effect on the film’s success.

    Ant-Man, Guardians of the Galaxy, and Spider-Man bring the most fun in the MCU these days. The powers-that-be would do well to remember that and leave the complicated matters to the rest of its catalog.

    Evangeline Lilly and Paul Rudd in Ant-Man and the Wasp.

    Evangeline Lilly and Paul Rudd in Ant-Man and the Wasp
    Photo courtesy of Marvel Studios
    Evangeline Lilly and Paul Rudd in Ant-Man and the Wasp.
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    Movie Review

    Ryan Gosling tries to save the universe in Project Hail Mary

    Alex Bentley
    Mar 19, 2026 | 10:00 am
    Ryan Gosling in Project Hail Mary
    Photo by Jonathan Olley
    Ryan Gosling in Project Hail Mary

    The reasons behind the success of 2015’s The Martian, which earned over $630 million worldwide and got nominated for seven Oscars, had as much to do with the novel written by Andy Weir as it did with star Matt Damon and director Ridley Scott. Weir’s commitment to making an entertaining story that was also scientifically accurate proved to be easy to translate into a blockbuster movie.

    The same is true for Weir’s 2021 novel, Project Hail Mary, now a film starring Ryan Gosling. Gosling plays Dr. Ryland Grace, who opens the film waking up from an induced coma, alone on an interstellar spaceship named the Hail Mary. As his foggy mind clears, he - and the audience - learn that he was recruited to help an initiative to save the world after it’s discovered that a mysterious phenomenon is causing the sun to cool down, threatening all life on Earth.

    The film toggles back and forth between Grace’s time on the ship and his whirlwind journey of scientific discovery on Earth, with revelations coming on both sides. On Earth, he mostly deals with Eva Stratt (Sandra Hüller), the unflappable and unstoppable leader of the international coalition dedicated to solving the problem. And in space, orbiting the far-off star known as Tau Ceti, he encounters another being he names Rocky, a five-limbed creature that looks like a boulder which teams up with him to try to save both of their worlds.

    Directed by Phil Lord and Christopher Miller, and written by Drew Goddard (who also wrote The Martian), the film melds multiple genres into an astonishingly great whole. It starts off as a mystery, morphs into science fiction, transitions into actual science, becomes a thriller, adds in plenty of drama, and - for good measure - features plenty of comedy along the way. Shifting tones like this film does is tricky for many filmmakers, but Lord and Miller prove to be masterful at knowing just how much of each to include before it becomes too much.

    One of the biggest keys to the story is the fact that Grace is not a hero in the movie sense of the word. He’s very smart, but he’s also an everyman, teaching middle school science after being shunned from academia. The circumstances of how he ended up on the Hail Mary are doled out in pieces over the course of the film, but it’s clear from the start that Grace’s talents are not the ones found in your typical astronaut. Ironically, it’s him being forced to do heroic stuff that imbues him with an atypical type of bravery.

    The relationship between Grace and Rocky is unique, and Rocky ends up being as endearing an alien that’s been featured in movies despite the fact that he has no face and speaks only in musical tones. The film does a very effective job of putting the audience in Grace’s shoes, having to figure out ways to communicate with Rocky at the same time as he’s trying to figure out how to complete a mission he wasn’t trained to do.

    Gosling is the ideal actor to portray a man like Grace. Essentially alone for much of the film, his innate charm and humorous delivery keep the film from feeling like an extended monologue. The flashback scenes to his time on Earth feature solid performances from people like Hüller (Anatomy of a Fall), Lionel Boyce (The Bear), and more, who fill in the pieces of the story without feeling out of place.

    Project Hail Mary is a crowd-pleaser in all the right ways, delivering plenty of thrilling action and funny moments while also digging deep into science nerd elements. With a movie star like Gosling in the lead and successful filmmakers like Lord, Miller, and Goddard behind the scenes, the film makes an early case for being one of best of the year.

    ---

    Project Hail Mary opens in theaters on March 20.

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