Editor’s note: Another week has come and gone, and there’s a lot we all probably missed. But we’re looking out for you, kid. Here are the most popular stories from this past week:
2. Pricier restaurant does not survive in Dallas' Lakewood neighborhood. A restaurant in the center of Lakewood shut down after less than a year in business. Sugarbacon Proper Kitchen, which opened in October 2016 in the space long occupied previously by home cooking classic Dixie House, closed on July 17.
4. Dallas' ice cream game gets new trick with gelato on a stick. A new ice cream concept is hitting Dallas-Fort Worth: Popbar, famous for handmade gelato-on-a-stick, will make its Texas debut this fall, with openings in both Dallas and Tarrant County.
5. This Dallas ZIP code has the third most expensive rent in Texas. According to a new report from rental website RentCafe, based on data from Yardi Matrix, you have to shell out more than $2,100 a month to rent an apartment in the priciest area of Dallas.
Hancock Springs Pool is only 180 miles from Dallas.
Photo courtesy of Lampasas
Hancock Springs Pool is only 180 miles from Dallas.
Robert Pattinson plays many different versions of the main character in Mickey 17.
Writer/director Bong Joon-Ho struck gold with his 2019 film Parasite, which won four Oscars, including Best Picture. That satire, one of the first in a recent spate of “eat the rich” stories, was the culmination of a career that the South Korean filmmaker has spent commenting on various social issues. He’s back at it again, perhaps a bit more obliquely, with his new film Mickey 17.
Set in 2054, it follows Mickey (Robert Pattinson), who decides to take drastic action after running afoul of a criminal syndicate. He decides to volunteer for a mission, led by failed politician/blowhard/cult leader Kenneth Marshall (Mark Ruffalo), to colonize a far-flung snow planet called Nilfheim. Not caring what it takes to join, he chooses to become an “expendable,” aka a person who will participate in deadly experiments repeatedly, with clones of himself printed to be killed again.
Mickey fulfills his duties multiple times - 16 to be exact - until Mickey 17 unintentionally fails after seemingly being attacked by huge pill bug-like creatures dubbed “creepers,” by Marshall. Not knowing he wasn’t dead, mission staff create Mickey 18, setting in motion the central conflict. Mickey 17 must deal with the paradox of living with his clone, his now-muddled romance with Nasha (Naomi Ackie), and more.
Based on the novel Mickey 7 by Edward Ashton, the film has fun with the ethics of cloning, space exploration, megalomaniacal leaders, and more. Your mileage may vary on how well the humor comes across, but it’s clear that Bong is aiming to satirize a lot of different things, as well as examine how humans react in certain extreme situations. The humanity of Mickey himself is called into question, given that the original Mickey is dispatched early in the film.
Bong used the collateral from his Oscar wins to get a much bigger budget than usual for him (reportedly $120 million), but the 140-minute film still maintains a relatively small feel. The specificity of the details of the story make it constantly interesting to watch, from the kowtowing of Marshall’s team of lackeys to the disgusting food Mickey eats throughout the film to the legion of creepers that emerge during the third act.
As the film goes along, though, it’s hard to fight the feeling that an overall point to the story is missing. The arc of Mickey 17 is enjoyable, but the film doesn’t seem to truly reckon with what it means to use clones in such a manner until a too-convenient third act reveal. The comedy and action are serviceable, but because they are supposed to be a means to an end that never fully materializes, their impact is lessened.
Pattinson clearly has a blast playing the multiple roles the film requires, imbuing each clone with little differences. He plays Mickey 17 and 18 off each other well, going between slapstick and melodrama. Ackie is a great complement to him, playing a supportive character who also has her own agenda. Ruffalo and Toni Collette, who plays Marshall’s wife, get to ham it up relentlessly, giving performances that are effective if somewhat grating.
Mickey 17 is right in line with the rest of Bong’s filmography, but after the highs of Parasite, it feels like a disappointment as a whole. Pattinson brings a verve to the film that the wild story needs; unfortunately, it never becomes as memorable as some of Bong’s previous work.
