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    Everybody Drink

    Drinking Buddies successfully brews unconventional romantic comedy

    Jonathan Rienstra
    Jul 26, 2013 | 4:00 pm
    Drinking Buddies successfully brews unconventional romantic comedy
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    Early on in Drinking Buddies (now available on iTunes and On Demand), Ron Livingston’s character references Albert Camus’ “The Myth of Sisyphus.” The essay finds that Camus eventually sees Sisyphus smiling as he pushes the boulder up the mountain time and time again, knowing a seemingly impossible action can make the journey that much more enjoyable if you truly love the action.

    It’s a heady allusion for a movie ostensibly about a foursome of twenty- and thirtysomethings dealing with the murky fluidity of relationships. But, surprisingly, it serves as a loose thesis throughout the film.

    Drinking Buddies follows two couples: Chris (Livingston) and Kate (Olivia Wilde), and Luke (Jake Johnson) and Jill (Anna Kendrick). Kate and Luke work together at a craft brewery in Chicago, which means Luke sports the kind of aggressively bushy beard that all craft brewers must possess.

    Drinking Buddies is a romantic comedy for people who operate in the real world. There are no contrived plot points revolving around tired rom-com tropes.

    Kate is a tomboy in tank tops and little makeup, capable of drinking just about anyone under the table. And they drink a lot in this movie.

    Lesser movies would make their significant others a harpy and an asshole. But here, Livingston and Kendrick eschew stereotypes for characters who are just as sympathetic and relatable as Johnson’s and Wilde’s.

    The plot is straightforward, as the four characters figure out just where they stand with one another during the course of 90 minutes. The film relies almost exclusively on talking, and the movie was entirely improvised, so the actors are front and center the entire time.

    Because of this loose structure, the film is only as good as the actors. Fortunately, everyone is game. The chemistry between Luke and Kate fills the frame each time they interact.

    They’re two peas in a pod; they are sarcastic, scruffy, and really enjoy a good beer or five. You root for these characters even when you know it would mean hurting their partners, who mostly haven’t done anything wrong.

    Drinking Buddies is a romantic comedy for people who operate in the real world. There are no contrived plot points revolving around tired rom-com tropes.

    These characters aren’t pure good or pure evil. They’re flawed beings who have moments of weakness and frustration and all the things that come with attempting to figure out if the person you’re with is the right person for you. It’s a refreshing shift from the sheen of the likes of Josh Duhamel and Kate Hudson.

    The laughs, fights and quiet doubts that can seep into the tiniest cracks of a relationship give the film a lived-in quality. It’s helped, no doubt, by director Joe Swanberg’s mumblecore background, though Drinking Buddies carries a more well-known roster of actors and a more defined reason for existing than most films of the genre.

    What Drinking Buddies explores — besides the question of how much beer is too much (answer: no such thing) — is the line between a flirtatious friendship and actual cheating.

    Can you be attracted to a friend and still be a good partner to your significant other? Whom do you really want to spend the rest of your life with, and is the possibility of something new and exciting worth destroying something that works near perfectly? And what happens when you realize that seemingly greener pastures have similar weeds?

    And that’s really what Camus’ Sisyphus is about. It’s the acceptance that worthwhile things are often the most difficult. A relationship, whether romantic or platonic, requires effort and, to a degree, sacrifice and compromise.

    These characters, particularly Luke, are tasked with deciding which boulders they will push up the mountain. Each misstep is the rock rolling back to the base. But, unlike Sisyphus, there seems to be hope that these drinking buddies can stay at the top.

    ---

    Drinking Buddies opens at Magnolia theaters August 30.

    Drinking Buddies stars Olivia Wilde and Jake Johnson.

    Oak Cliff Film Festival presents Drinking Buddies
    Photo courtesy of Magnolia Pictures
    Drinking Buddies stars Olivia Wilde and Jake Johnson.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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