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    Love Can Build a Home

    Still Mine uplifts with story of commitment and determination

    Alex Bentley
    Jul 26, 2013 | 12:00 am
    Still Mine uplifts with story of commitment and determination
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    In 2012, Michael Haneke’s Amour garnered multiple Oscar nominations — and one win — for its unflinching look at an elderly couple and the difficult choices that come with aging. Still Mine (opening at Magnolia Theatre on Friday, July 26) is not as harrowing as that film, but it explores similar themes with an equally compelling story.

    At its center are Craig and Irene Morrison (James Cromwell and Genevieve Bujold), a real-life couple in the province of New Brunswick in Canada who have owned thousands of acres of land for decades. Their profession is farming, and they’re good at it. But changing times and their own age mean it is not as lucrative as it once was.

    Writer/director Michael McGowan does an excellent job of showing the details of the Morrisons' life without ever getting bogged down in them.

    With Irene showing increasing signs of memory loss, Craig decides to build a new, smaller house that would fit them better. But he soon runs afoul of the local property board for not acceding to their rules and codes, despite his having more than enough knowledge and skill to build his own home.

    It’s a small-town story if ever there was one, but the dueling frustrations Craig feels at the deterioration of his wife and the government red tape make it a winning one. Writer/director Michael McGowan does an excellent job of showing the details of the Morrisons' life without ever getting bogged down in them, which keeps the story moving forward.

    It’s also one of those films that makes you appreciate the elegance and simplicity of on-location shooting. Set in tiny St. Martins, the rural setting is a big help in establishing the tone of the film. Seeing both the Morrisons’ old house and proposed new one sit on the same piece of massive property puts you right in their shoes, making you understand exactly what’s at stake for them.

    Although a bit too young to match Morrison’s stated age, Cromwell otherwise is a perfect fit in the role. The former TV actor has had a heck of a second career in movies, impressing in films as different as Revenge of the Nerds, Babe and L.A. Confidential. He plays Craig as gruff and stuck in his ways, but he is also thoughtful and reasonable — not always an easy balance.

    Bujold is a legend of Canadian cinema, but she’s barely known on this side of the border. She’s a quiet force here, never getting a showy moment but always holding your attention when she’s onscreen. Other supporting actors complete the feel of small-town living effectively.

    Still Mine is another look at enduring love that deserves to be seen by a larger audience than it’s likely to get. Far from depressing, it uplifts with its show of commitment and determination.

    James Cromwell and Genevieve Bujold star as an elderly farming couple in Still Mine.

    Still Mine movie
    Photo by Ken Woroner Samuel Goldwyn Films
    James Cromwell and Genevieve Bujold star as an elderly farming couple in Still Mine.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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