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    Movie Review

    Bad Moms makes us want more movies about women behaving badly

    Alex Bentley
    Jul 28, 2016 | 4:28 pm
    Bad Moms makes us want more movies about women behaving badly
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    After Bridesmaids burst onto the scene in 2011, the surprise hit featuring mostly women seemed to portend a new breed of movies that would not only give women more opportunities to be stars, but would also allow them to behave as badly as men have for decades. And yet, apart from the career of Melissa McCarthy, few films have followed suit, a strange thing in an industry usually built on copycats.

    So, it’s no small thing to see a movie like Bad Moms make it to the theaters. Its main actors — Mila Kunis, Kristen Bell, Kathryn Hahn, Christina Applegate, and Jada Pinkett Smith — are all well known, but none is considered a can’t-miss star. That could change after this barn burner of a movie that lets them cut loose in ways they never have before.

    The film, written and directed by the two men who wrote The Hangover, centers on Amy (Kunis), a young mother of two preteens who’s juggling demands from her kids, husband, and job. After a series of too many stressors, she finds solace in the form of Carla (Hahn) and Kiki (Bell), two fellow moms who are also sick of the pressure put on them by their families and others.

    The trio proceeds to throw caution to the wind, blowing off work and family duties during the day and boozing it up at night. Set to a slew of contemporary pop and hip-hop songs, the scenes of them going crazy are an absolute blast to watch, as they do and say things that are a far cry from the usual actions of women in movies.

    The caveat in this case is that you have to ignore the cheesiness and improbabilities of the story in order to fully enjoy the movie. Amy’s husband (David Walton) is portrayed as a doofus and a cheater of the highest order, thus allowing her to not feel guilty exploring her wild side, including a fling with a single dad (Jay Hernandez). And the movie hardly addresses exactly what all the kids are doing while the threesome is off having fun, so it’s best not to think about it too much.

    And, really, it doesn’t matter. This is a movie that will have moms of all ages — and everyone else — howling with laughter, as it allows them to indulge in a bit of wish fulfillment without actually worrying about being bad moms themselves. While it’s not the most insightful movie about motherhood, it does contain enough knowledge to not make it seem completely preposterous either.

    Kunis, Bell, and Hahn are great together, each bringing something different to the table. It’s Hahn who garners the most laughs, as her I-don’t-give-a-crap character says and does what she wants at all times, no matter the circumstances. Applegate and Pinkett Smith, frustratingly, are one-dimensional villains, but you end up hating them so much that it’s hard to argue they don’t play them well.

    Women are a highly underserved section of society when it comes to movies, as they are usually given romantic comedies and little else. Bad Moms proves that, when done well, movies of all types can appeal to women. Studios just have to be willing to try.

    Mila Kunis, Kristen Bell, and Kathryn Hahn in Bad Moms.

    Mila Kunis, Kristen Bell, and Kathryn Hahn in Bad Moms
    Photo courtesy of STX Productions
    Mila Kunis, Kristen Bell, and Kathryn Hahn in Bad Moms.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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    news/entertainment

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