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    Movie Review

    Bad Moms makes us want more movies about women behaving badly

    Alex Bentley
    Jul 28, 2016 | 4:28 pm
    Bad Moms makes us want more movies about women behaving badly
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    After Bridesmaids burst onto the scene in 2011, the surprise hit featuring mostly women seemed to portend a new breed of movies that would not only give women more opportunities to be stars, but would also allow them to behave as badly as men have for decades. And yet, apart from the career of Melissa McCarthy, few films have followed suit, a strange thing in an industry usually built on copycats.

    So, it’s no small thing to see a movie like Bad Moms make it to the theaters. Its main actors — Mila Kunis, Kristen Bell, Kathryn Hahn, Christina Applegate, and Jada Pinkett Smith — are all well known, but none is considered a can’t-miss star. That could change after this barn burner of a movie that lets them cut loose in ways they never have before.

    The film, written and directed by the two men who wrote The Hangover, centers on Amy (Kunis), a young mother of two preteens who’s juggling demands from her kids, husband, and job. After a series of too many stressors, she finds solace in the form of Carla (Hahn) and Kiki (Bell), two fellow moms who are also sick of the pressure put on them by their families and others.

    The trio proceeds to throw caution to the wind, blowing off work and family duties during the day and boozing it up at night. Set to a slew of contemporary pop and hip-hop songs, the scenes of them going crazy are an absolute blast to watch, as they do and say things that are a far cry from the usual actions of women in movies.

    The caveat in this case is that you have to ignore the cheesiness and improbabilities of the story in order to fully enjoy the movie. Amy’s husband (David Walton) is portrayed as a doofus and a cheater of the highest order, thus allowing her to not feel guilty exploring her wild side, including a fling with a single dad (Jay Hernandez). And the movie hardly addresses exactly what all the kids are doing while the threesome is off having fun, so it’s best not to think about it too much.

    And, really, it doesn’t matter. This is a movie that will have moms of all ages — and everyone else — howling with laughter, as it allows them to indulge in a bit of wish fulfillment without actually worrying about being bad moms themselves. While it’s not the most insightful movie about motherhood, it does contain enough knowledge to not make it seem completely preposterous either.

    Kunis, Bell, and Hahn are great together, each bringing something different to the table. It’s Hahn who garners the most laughs, as her I-don’t-give-a-crap character says and does what she wants at all times, no matter the circumstances. Applegate and Pinkett Smith, frustratingly, are one-dimensional villains, but you end up hating them so much that it’s hard to argue they don’t play them well.

    Women are a highly underserved section of society when it comes to movies, as they are usually given romantic comedies and little else. Bad Moms proves that, when done well, movies of all types can appeal to women. Studios just have to be willing to try.

    Mila Kunis, Kristen Bell, and Kathryn Hahn in Bad Moms.

    Mila Kunis, Kristen Bell, and Kathryn Hahn in Bad Moms
    Photo courtesy of STX Productions
    Mila Kunis, Kristen Bell, and Kathryn Hahn in Bad Moms.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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