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Movie Lover's Paradise

Alamo Drafthouse in Richardson opens with promise of bright film future

Alex Bentley
Aug 9, 2013 | 10:34 am

The grand opening of Alamo Drafthouse in Richardson took place Thursday night, replete with city luminaries, unorthodox popping of champagne, and the unveiling of a unique lobby centerpiece. Now all Alamo has to do is live up to the hype.

There was certainly no shortage of excitement among the crowd that included Richardson City Council members, Alamo Drafthouse founder/CEO Tim League, citizens of Richardson and, of course, the media. The crowd packed the lobby and the attached bar, the Glass Half Full Taproom, to enjoy Alamo's variety of local beers and bites of their signature menu items.

League and Alamo Drafthouse DFW COO Bill DiGaetano continued an Alamo tradition, christening the theater by popping a bottle of champagne with a sword — or, in this case, a massive Bowie knife provided by DiGaetano's father.

After the usual ribbon cutting, DiGaetano and Alamo creative manager James Wallace then unveiled "Johnny High Five," a huge robot hand — confusingly, one with only four fingers — made to look like it's busting through the Richardson city skyline.

Guests were then taken on a tour of several of the theater's auditoriums to get a feel for Alamo's different offerings. Although mainstream fare like this week's Elysium and We're the Millers will make up 80 to 90 percent of its programming, Alamo promises that it'll have a steady diet of independent films and special events like quote-a-longs to Anchorman and karaoke nights.

In fact, the remainder of August will celebrate English drinking films like A Clockwork Orange, Trainspotting and Withnail and I, in honor of the August 23 release of The World's End. Alamo will also serve a variety of English beer and English pub food to complete the feel of being on the other side of the pond.

The actual theater experience is a bit of a mixed bag. On the positive side, the ordering system for in-theater dining is designed for as little waiter intrusion as possible. Unlike Studio Movie Grill's light system, Alamo simply has you write down your order on provided sheets of paper that waiters pick up without a word when you place them in the designated area.

Even better is the space between rows, where waiters can stealthily walk behind seats of the row in front of you — as opposed to leaning over you, SMG-style — to pick up those sheets and deliver your food and drink. It's likely there will be times when your order arrives without your even knowing it. It's that good.

On the down side, even though the seats are pretty comfortable, none of them reclines, an amenity that has become an expected staple of movie theaters in recent years. And depending on the person, the tables seem to be slightly too high, especially when you put food and drink in front of you; they could have been lowered a couple of inches.

But those are only minor quibbles. With the variety of special events and unique programming, the location in Richardson, and the famed zero-tolerance policy when it comes to movie talkers and texters, Alamo Drafthouse looks to be a movie lover's paradise.

Alamo Drafthouse in Richardson officially opened to the public with late night shows on Thursday, August 8.

Alamo Drafthouse in Richardson
Alamo Drafthouse Facebook
Alamo Drafthouse in Richardson officially opened to the public with late night shows on Thursday, August 8.
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Movie Review

The Invite delivers smart, sexy laughs with an all-star cast

Alex Bentley
Jul 10, 2026 | 11:40 am
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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