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    Movie News

    Drive-in movie concept sets up shop on grassy East Dallas field off US-75

    Teresa Gubbins
    Aug 13, 2020 | 4:19 pm
    Drive-In Theater Spring
    They'll open with Grease and Raiders of the Lost Ark.
    Photo courtesy of Rooftop Cinema Club

    A drive-in company with three locations in Texas is coming to Dallas. Called Rooftop Cinema Club, it'll set up an outdoor theater in East Dallas, at 2999 N. Carroll Ave.

    According to a release, the Dallas location is called Drive-In at The Central — it's off US-75, where the ACS building used to be before it got imploded in 2015 — and will open August 25. The schedule of films and tickets are available Thursday, August 13.

    This will be the company's fourth drive-in theater to open in Texas since March, following locations in Houston and San Antonio.

    Rooftop Cinema Club started as a single rooftop in London in 2011 and has now three venues in the UK, plus venues in Los Angeles, New York, San Diego, and Houston. The rooftop venues have it pretty good, with state-of-the-art projectors, personal headphones, deck chairs, and blankets.

    The Texas drive-ins are not on rooftops. Owner-founder Gerry Cottle says in a statement that they're reviving the tradition of the drive-in to accommodate the desire for socially distanced entertainment. There are more in the works for other U.S. cities.

    "The return of this great American institution continues to grow in popularity as we've seen at our other Texas drive-ins," Cottle says. "[These] aren't week-long pop-ups, they are here to stay as long as people need this as a safe escape during this uncertain time."

    Hmm, so maybe it'll be month-long pop-ups.

    They'll host two screenings per night, seven nights a week, and all ages are welcome.

    They'll debut with Grease and Raiders of the Lost Ark, and continue with a mix of modern and classic films geared towards family, friends, or date night.

    Family-friendly flicks such as Frozen II and The Sandlot will screen first at around 8 pm. The second screening of the night begins at 11 pm with films such as A Star is Born, Love Jones, A Nightmare on Elm Street, and Bohemian Rhapsody.

    Tickets are as follows:

    • 8 pm: $28 or $35 per vehicle, regardless of occupancy, depending on parking preference – either closer or further from the screen.
    • 10:30-11 pm: $22 and $28, Sunday-Thursday, and $28 or $35 Friday-Saturday, also depending on parking preference.

    You can bring your own snacks and drinks, or order concessions, food, and drinks from Rooftop Cinema Club or on-site food truck partners. All orders are made online and guests will be notified for pick up, to avoid time outside their cars. Concession items will include popcorn, candy, and soda.

    Cars will enter the venue off North Carroll Avenue, where they’ll greet a 52-foot movie screen, and be ushered to a 10-foot by 15-foot parking space. All vehicles are spaced up to 10 feet apart. Audio can be picked up through local FM stereo in the car, or guests can bring a portable radio.

    Safety rules include requirements to follow your usher's directions on where to park, and to watch the movie from within your vehicle, truck bed, or hatchback. Lawn chairs, picnic blankets, and other seating outside the vehicle are not allowed at this time.

    Masks, face coverings, and social distancing are required anytime you step outside your car for any reason, whether it's using the restroom or buying snacks.

    The schedule of films through September 6 is as follows:

    • August 25: Grease, Raiders of The Lost Ark
    • August 26: Sonic The Hedgehog, A Star Is Born
    • August 27: Selena, Dazed and Confused
    • August 28: Dirty Dancing, Friday
    • August 29: Jurassic Park, A Nightmare on Elm Street
    • August 30: The Little Mermaid, Pulp Fiction
    • August 31: Frozen II (Community Screening), Love Jones
    • September 1: Toy Story 4, Poetic Justice
    • September 2: Shrek, Bohemian Rhapsody
    • September 3: The Greatest Showman, Grease
    • September 4: The Lion King (2019), Friday
    • September 5: Jurassic Park, Texas Chainsaw Massacre
    • September 6: The Sandlot, Joker
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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