The parade will take place at the home of the State Fair.
Kevin Brown/State Fair of Texas
The State Fair of Texas, which lives by tradition, is changing one: It will move the location of its opening day parade.
After decades of having the annual Opening Day Parade proceed through downtown, like a real parade is supposed to do, the State Fair is shifting the location to its home turf at Fair Park.
According to a release, the parade will now take place in Fair Park, to accommodate other events and activities planned as part of the start to the 24-day State Fair.
It will start at 12 noon, with marching bands, fanfare, the whole deal.
The release says that the Opening Day celebration has grown substantially in the past few years. Moving the parade inside the fairgrounds allows more people to join in the festivities and puts the focus on Fair Park.
"We think this is a change that a lot of fairgoers will enjoy, as they can focus their attention on events in Fair Park that day," says Mitchell Glieber, president of the State Fair of Texas, in a statement. "Since we will have two parades on Opening Day, there will be the opportunity for daytime and nighttime visitors to take part in the celebration."
The State Fair will also take certain popular elements that have participated in the downtown parade and incorporate them into the noon parade on the fairgrounds. It will not be like the other smaller parades the Fair hosts every night.
Opening Day is September 27. The traditional State Fair of Texas Opening Ceremony will be at 7 pm in front of the Hall of State in Fair Park.
Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.
That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.
Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.
Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.
The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.
The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.
Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.
Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.
