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    Movie Review

    I Do... Until I Don't is mostly a big don't

    Alex Bentley
    Sep 1, 2017 | 12:30 pm
    I Do... Until I Don't is mostly a big don't
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    In 2013, actress Lake Bell gained extra fame when she wrote, directed and starred in the well-received In a World…, which found her playing a voiceover artist trying to make it in the competitive world of movie trailers. Unfortunately, the only thing her second film, I Do… Until I Don’t, has in common is her odd obsession with the ellipsis.

     

    This time, she’s turned her attention to the institution of marriage. Three somewhat related couples — Alice and Noah (Bell and Ed Helms), Cybil and Harvey (Mary Steenburgen and Paul Reiser), and Fanny and Zander (Amber Heard and Wyatt Cenac) — are recruited by filmmaker Vivian (Dolly Wells) for her documentary about the uselessness of marriage.

     

    Naturally, each couple has its own quirks or issues. Alice and Noah are trying to have a baby, with scheduled sex their only intimacy. Cybil and Harvey have been together for over 30 years, and boredom has settled in. Fanny and Zander supposedly have an open marriage, but strangely balk when opportunities present themselves.

     

    Commenting on different styles of marriage has long been a theme in films, a fact that Bell has to contend with from the start. The biggest problem for her, though, seems to be self-inflicted, as none of the couples feels remotely like people who love — or even once loved — each other. In almost every case, they come off as caricatures, reacting in ways that are much too strange to believe.

     

    Rather than go for a dramedy that would use comedic elements to underscore more dramatic scenes, Bell aims for an all-out comedy. Still, the situations in which she puts her characters aren't all that funny. She goes for wackiness, but winds up with mildly strange, resulting in actors flailing around, hoping to land a good line or two.

     

    The only reason the film is remotely watchable is its talented cast. Each member of the main sextet has done better work, and the memories from those films or TV shows leaves you unable to dismiss their performances. But even that fact is only good for so long; you'll soon find yourself counting the minutes until the film comes to a close.

     

    With these surface-level observations about marriage and barely-believable characters, I Do… Until I Don’t is not going to be Lake Bell's happily ever after.

    Ed Helms and Lake Bell in I Do... Until I Don't.

    Ed Helms and Lake Bell in I Do... Until I Don't
      
    Photo by Merrick Morton
    Ed Helms and Lake Bell in I Do... Until I Don't.
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    Movie review

    Early days of pandemic become a powder keg in tense movie Eddington

    Alex Bentley
    Jul 18, 2025 | 12:47 pm
    Joaquin Phoenix and Pedro Pascal in Eddington
    Photo courtesy of A24
    Joaquin Phoenix and Pedro Pascal in Eddington.

    The coronavirus pandemic had a profound impact on the entire world, one that has been shown in various ways by movies and TV shows. However, even though a number of productions have attempted to show what life was like during the early days of the pandemic, few have tried to truly reckon with the way lockdowns and restrictions changed people.

    Filmmaker provocateur Ari Aster does just that in Eddington, set in a fictional small town in New Mexico in early 2020 that proves to be a microcosm of the debates taking place worldwide at that time. Sheriff Joe Cross (Joaquin Phoenix) is not a fan of mask mandates or other restrictions imposed by the government, while mayor Ted Garcia (Pedro Pascal) tries to lead by example in an effort to keep his community safe.

    The men butt heads not just on how to deal with the pandemic, but also over a personal history involving Joe’s wife, Louise (Emma Stone). When news of the murder of George Floyd in Minnesota makes its way to town, it starts a slow simmer among the town’s youth population, putting even more stress on Joe and his small department. Conspiracy theories, white guilt, partisan politics, cults, and more combine to make the community into a powder keg that threatens to explode at the slightest provocation.

    Aster (Midsommar, Beau is Afraid) takes aim at all sides in a film that’s part satire and part thriller. No matter how each viewer reacted to the pandemic, the film offers at least a character or two that will come close to representing their viewpoint. Although opinions may differ, it seems clear that Aster is not portraying one side as “right” or more righteous than the other. What he is doing is demonstrating just how much was happening in a short period of time, and how those things could negatively affect anyone.

    On the flip side, the film also challenges viewers with viewpoints that may not match their own, which can make for an uncomfortable experience at times. The reactions various characters have to certain events range from rational to wholly unexpected, and Aster seems to delight in keeping the audience on their toes the entire time. This is especially true when violence rears its ugly head, resulting in some intense and upsetting scenes.

    Not everything in the film lands, though. A subplot involving Louise and Vernon (Austin Butler), a cult leader who preys on her fears, feels tacked on, with no relation to the film as a whole. In fact, the character of Louise is a misfire in general, one whose purpose makes little sense. Aster also lets (asks?) some actors speak in almost inaudible tones at various points in the film, a frustrating experience in a film as dialogue-heavy as this one.

    Phoenix loves to dig into off-kilter characters, and this one ranks high on that scale. Even if you don’t enjoy what his character does, it’s hard to fault the performance that brings him to life. Most of Pascal’s scenes are with Phoenix, and while he matches Phoenix’s energy, the lower key nature of his character leaves him overshadowed. The nature of the film means few others make an impact, although Deidre O’Connell as Joe’s passive-aggressive mother-in-law and William Belleau as Officer Jiminiz Butterfly stand out in their scenes.

    Few of us would volunteer to go back to the baffling days of early 2020, but Eddington does a great job of examining what was happening at the time and how events united some and divided others. It’s not a feel-good film, but it is one that will make viewers re-examine their reactions at the time and how those influenced the current reality.

    ---

    Eddington is now playing in theaters.

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