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    Movie Review

    Mulan explores brave new territory for Disney live action remakes

    Alex Bentley
    Sep 3, 2020 | 11:57 am
    Mulan explores brave new territory for Disney live action remakes
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    For the most part, Disney’s grand experiment of making live action versions of their classic animated films has not been a success. Sure, it’s made them oodles of money, but creatively the movies have been less than fulfilling, either being little more than shot-for-shot remakes or uninspired retellings of stories we know and love.

    When the trailer for the new Mulan came out, it was immediately clear that it would be something different. In fact, it bore little resemblance to the animated musical, with no hint of low-brow shtick or even songs. For all intents and purposes, it looked as if director Niki Caro and writers Rick Jaffa, Amanda Silver, Elizabeth Martin, and Lauren Hynek would treat the story with gravity and purpose.

    I’m happy to say that is exactly what they delivered. The base story remains the same: When the Chinese Army conscripts one man from every family to fight against invaders, Hua Mulan (Yifei Liu) secretly steps in for her ailing father, Hua Zhou (Tzi Ma). Properly disguised as a man, Mulan joins the army and quickly impresses with her level of dedication and skill, especially when she goes up against fellow soldier Honghui (Yoson An).

    The invaders have some truly intimidating people leading them, including the fearsome Bori Khan (Jason Scott Lee) and Xianniang (Gong Li), a witch who can transform into a bird. As Mulan rises in the ranks of the army, the invaders get ever closer to accomplishing their goal of overthrowing the emperor (Jet Li).

    Caro and her team, taking inspiration from any number of fantastical Chinese action movies, go all-in with fight scenes that are both exciting and beautiful. The fluidity of the movements, the creativity of the staging, and more make the sequences a wonder to behold. For many, it will their first exposure to the type of scenes seen in films like Crouching Tiger, Hidden Dragon, and the accessibility of Mulan’s story makes it a great entry point.

    While the film is kid-friendly, it’s not aimed strictly at children, as evidenced by its PG-13 rating. There is no blood, but the violence in the film is definitely stepped up over your typical Disney outing. It also stays true to the goal of building up a strong woman while still maintaining her femininity. Mulan is fierce, determined, devoted to her family, and alluring, with all of those elements combining to paint a full picture of a woman at a time when women were usually subjugated.

    The film pays homage to the cutesy elements of the first film without actually going down that road itself. Gone is the dragon Mushu, both because he doesn’t mesh with the story at large and because he was considered culturally insensitive. The sidekick Cri-kee, an actual cricket in the original film, is reimagined as a slightly goofy fellow soldier named Cricket (Jun Yu), who brings humor to the film without undercutting the drama.

    What many fans of the original may miss the most are the songs, but their absence makes complete sense. Having these particular characters break into song would break the spell that the rest of the film casts. Still, Caro and composer Harry Gregson-Williams know they can’t get rid of the familiar music completely, which is why snippets of music from the popular song “Reflection” are woven in throughout, and actual reflections of Mulan pop up at key moments in clever ways. There are also full versions of the song sung by Christina Aguilera in English (an updated one from her 1998 version) and Liu in Mandarin during the end credits (Aguilera also sings a new song, “Loyal Brave True”).

    The film features familiar faces like Tzi Ma, Jason Scott Lee, Jet Li, Donnie Yen, and Rosalind Chao, but Liu is the star through-and-through. She brings everything you could want to the role and more, exhibiting the spirit of Mulan in multiple ways. Yoson An offers great support as a rival/slight love interest, and it’s easy to see him gaining more work in English should he desire it.

    Mulan is easily the best live action remake Disney has put out, both because the story lent itself well to taking out cartoonish elements, and because the filmmakers put in the work toward making it stand out. Seeing it on the big screen would have been great, but streaming it through Disney+ is still worth every penny.

    ---

    Mulan is available on September 4 via Disney+ Premier Access, a premium price on top of the monthly subscription cost.

    Yifei Liu in Mulan.

    Yifei Liu in Mulan
    Photo courtesy of Disney Enterprises
    Yifei Liu in Mulan.
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    Movie Review

    Alexander Skarsgård commands the bold, offbeat drama Pillion

    Alex Bentley
    Feb 20, 2026 | 11:45 am
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

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