Big Tex Says Full Price Is for Suckers

How to get into the State Fair of Texas on the cheap

The State Fair of Texas starts Friday, September 27, at Fair Park, which means that most of us will now be on the hunt for discount tickets. Ticket prices at the gate range from $17 for general admission and $13 for seniors and children under 48 inches tall. But with all of the different options for discounts, only a sucker would actually pay full price.

Buy your tickets in advance: The first discount opportunity is also the easiest. Just go to the State Fair site to buy your tickets — discounts are $1 for seniors and children under 48 inches tall, and $2 for everybody else. Unfortunately, you can't print tickets at home or have them reserved at will call, so you have to pay for shipping, which negates the actual discount part of it. You can also save a little by buying advance tickets at your local Kroger. General admission tickets there cost $15.50, but no senior or children discounts are available.

Season passes: If you're a State Fair fanatic, there's no better deal than the season pass. A pre-purchased pass for $39.95 will allow you to go as many times as your heart desires. Plus, it comes with a one-day-only guest ticket and a free ticket to use at any Cinemark theater. You can also get a season pass at Kroger for $34.95.

North Texas Food Bank deals: On opening day, anyone who brings in a full 20 ounce Coca-Cola product or Dasani water will get into the fair for $6. Also, NTFB has teamed up with Kroger for a special deal every Wednesday, where everybody who brings in at least three cans of food gets in for $3. Remember, each person must have the same donation to receive the discount; don't show up with just three cans of food and expect to get the discount for your whole brood.

It's good to be a senior: Sure, seniors — anyone 60 and over — already get a $4 discount from the regular price, but every Thursday during the State Fair is Senior Day, where those lucky folks can get in absolutely free.

McDonald's coupons: Eat at any area McDonald's, and you're likely to get a coupon for $3 off general admission, good for any day at the fair. They also have a coupon where a child can get in for half price when an adult pays full price, a discount of $6.50.

Dr Pepper deals: Make sure to save up those empty Dr Pepper cans, as each one is good for $5 admission on Tuesdays or $8 admission any day after 5 pm.

Coca-Cola Thursdays: In addition to the opening-day deal, every Thursday is Coca-Cola Thursday, where an empty 20-ounce bottle is good for $6 admission.

Dickies Day: Forget the Coke bottles on Thursday, October 3 — just make sure to wear any piece of clothing with a Dickies logo on it, and you'll get in for free.

Cinemark Thursdays: Movie lovers can trade one piece of entertainment for another on any Thursday, as a ticket stub from any Cinemark theater gets you in for free.

KISS-FM Fridays: Go to the KISS-FM site and print the coupon for $5 off general admission on any Friday. Make sure to print a coupon for every person in your group.

Discount on Midway rides: Saving on ticket prices is one thing, but everyone knows it's the rides and the food that really drive up the cost. If you go on any Tuesday, though, all rides except for thrill rides and the Texas Star are only six coupons, a savings of anywhere between two to six coupons (or $1-$3) per ride.

We've rounded up as many discount opportunities that we could find; if you know of any others, make sure to tell us about them in the comments.

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Movie Review

Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

Photo courtesy of Lionsgate

Amanda Seyfried and Sydney Sweeney in The Housemaid.

Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

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The Housemaid is now playing in theaters.

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