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    Musical Passport

    5 international acts guaranteed to make waves at Austin City Limits Festival

    Caitlin M. Ryan
    Sep 28, 2013 | 12:47 pm

    Austin City Limits Music Festival has the difficult job of giving Austin musicians their fair shot at fame while simultaneously attracting noteworthy acts from across the globe. It's that down-home appeal the brand has maintained for more than a decade, though, that consistently draws in a smattering of standout artists from beyond U.S. borders — and 2013 will be no different.

    We're not talking about the obvious choices – Phoenix, Muse, Atoms for Peace, The Arctic Monkeys and so on. These are the international artists to catch between the headlining acts, from indie crooners to psych-rock legends in the making:

    Jake Bugg
    Nottingham, England
    Watch: "Two Fingers"

    If he lived in Austin, he'd be an anti-mainstream darling. Having recently called Mumford & Sons "posh farmers with banjos," Jake Bugg has won over the likes of spitfire and fellow Brit Noel Gallagher. When he was just 19 years old, the unique highs and lows of his voice and nostalgic Brit-twang style thrust him out of high school (where he generally just cut class and smoked cigarettes) and into the spotlight.

    Friday, October 4 | 5-5:45 pm, Austin Ventures Stage
    Friday, October 11 | 5-5:45 pm, Austin Ventures Stage

    Dan Croll
    Liverpool, England
    Watch: "From Nowhere"

    Dan Croll earned rave reviews during this year's South by Southwest Music festival and turned heads as your standard hip, glasses-wearing, good-hair-having indie artist du jour. Looking beyond the buzz, you'll find that he cut his teeth as a musician in high school, training at the Liverpool Institute of Performing Arts, founded by Paul McCartney. Croll's music can be described as electronic singer-songwriter (what combination isn't there these days?), with much of it grooving bombastically in all the right places. He does, however, occasionally go back to his roots, letting his falsetto shine against a single acoustic guitar.

    Saturday, October 5 | 12:15-1 pm, AMD Stage
    Saturday, October 12 | 12:15-1 pm, Lady Bird Stage

    Little Green Cars
    Dublin, Ireland
    Watch: "Harper Lee"

    Beautiful harmonies by a beautiful quintet of young Dubliners. Fittingly enough, Little Green Cars recently supported Jake Bugg on his 2013 UK tour. The band's tracks are robust and emotionally charged (as one would expect of a catalog of songs written by musicians between the ages of 16 and 20). Little Green Cars' debut album was produced by Markus Dravs, who also lent a hand on Arcade Fire's influential Neon Bible.

    Saturday, October 5 | 4:30-5:15 pm, Austin Ventures Stage
    Saturday, October 12 | 4:30-5:15 pm, Austin Ventures Stage

    Tame Impala
    Perth, Australia
    Watch: "Feels Like We Only Go Backwards"

    Tame Impala rose to prominence with its second album, Lonerism, which delivers a steady, unconfined, rolling ride of psychedelic rock. Led by Kevin Park, who writes and records almost all Tame Impala tracks alone, the band set out with the intention of crafting a sound that would be the opposite of the sharp, angular rhythms of today's popular dance rock. Still, it's pretty groovy and has all the makings of a powerful live show, especially when coupled with the hypnotic artwork the band projects onstage during performances. According to Rolling Stone, Tame Impala is a better live band than Tool.

    Sunday, October 6 | 6:30-7:30 pm, Honda Stage
    Sunday, October 13 | 6:30-7:30 pm, Honda Stage

    Junip
    Stockholm, Sweden
    Watch: "Rope and Summit"

    Frontman Jose Gonzalez has certainly made strides as a solo artist, and his trio Junip has enjoyed modest success with a worldwide tour in support of its 2010 debut album Fields. There has always been a quiet, beautiful discomfort to Gonzalez's projects, and this year's self-titled Junip is no different. The melodic psych-folk guided by Gonzalez's even-keeled voice is, as Pitchfork so perfectly said, "music for making dinner or babies" — and there's nothing wrong with that.

    Saturday, October 5 | 3-4 pm, Honda Stage
    Saturday, October 12 | 3-4 pm, Honda Stage

    ---

    Austin City Limits Festival takes place October 4-6 and October 11-13 in Zilker Park in Austin. You can purchase tickets online.

    Dan Croll is among the up-and-comers from overseas making waves at this year's ACL Fest.

    Dan Croll
    Photo courtesy of Dan Croll
    Dan Croll is among the up-and-comers from overseas making waves at this year's ACL Fest.
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    Movie Review

    Safe cracking is a snap for White Lotus alum Leo Woodall in Tuner

    Alex Bentley
    May 29, 2026 | 2:55 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties - not to mention the danger of the thefts - insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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