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    Movie Review

    Daniel Craig says goodbye to James Bond in No Time to Die

    Alex Bentley
    Oct 5, 2021 | 3:37 pm
    Daniel Craig says goodbye to James Bond in No Time to Die
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    The last we saw of James Bond, it was in 2015’s Spectre, an altogether disappointing affair that seemed to have more interest in looking backward than forward. It’s been a long road to get to the follow-up film, No Time to Die, not least because the release of the 25th official 007 movie was delayed 18 months due to the pandemic. But if that time between movies accomplished anything, it was to ensure the filmmakers didn’t repeat the mistakes of their predecessors.

     

    The film finds Bond (Daniel Craig, for the final time) living in semi-retirement bliss with Madeleine (Lea Seydoux), his love interest from Spectre. He gets drawn back in to the spy life after an unexpected attack, finding an MI6 that’s at once familiar and drastically different. People like M (Ralph Fiennes), Q (Ben Whishaw), and Moneypenny (Naomie Harris) are still in charge, but an agent named Nomi (Lashana Lynch) has usurped Bond’s position in more ways than one.

     

    Bond and Nomi essentially team up to find the source of the attack, which could be the imprisoned Blofeld (Christoph Waltz), somehow pulling strings from behind bars, or the mysterious Lyutsifer Safin (Rami Malek), who also has a connection to Madeleine. With help from American agents Felix Leiter (Jeffrey Wright) and Logan Ash (Billy Magnussen), they unfurl a plan that’s as dastardly as expected in a 007 film.

     

    Directed by Cary Joji Fukunaga and written by Fukunaga, Phoebe Waller-Bridge, and longtime Bond writers Neal Purvis and Robert Wade, the film is sprawling, not just in the number of locations it visits but in sheer length, clocking in at 163 minutes. It’s a lot to take in, but the filmmakers keep things relatively focused, taking the story in a straight line instead of veering off into unnecessary tangents. It appears as if they wanted to give Craig as big a farewell as possible, and he gets many showcases throughout the film.

     

    Even more so than usual, however, Bond shares the spotlight. The series has always given the character a female costar, usually as a love interest, but this time around the women are much more empowered. There’s much speculation whether the character of Nomi will take over Bond’s mantle, but whether that happens or not, she more than holds her own in the action department in this film. Ana de Armas shows up in a brief but impactful appearance as Paloma, a Cuban agent who assists Bond in his visit there.

     

    The action scenes are plentiful but not as breathtaking as in past films. Fukunaga and his team take their time getting to any significant sequences, with the opening credits coming a good 30 minutes into the film. Craig is as unflappable as ever, although the scenes don’t call for him to do quite as much as in past films. Bond’s famous gadgets only come into play a few times, but his dry wit while the action is going on is as present as ever.

     

    Opinions will differ, but for my money, Craig has made for a great Bond, making him brawnier than previous iterations but equally as suave and charming. The supporting cast are all fantastic, especially the standbys of Fiennes, Whishaw, and Harris. While the villain characters still don’t pop as much as they should, both actors are good, even Malek, whose acting style is an acquired taste.

     

    The James Bond/007 series has been the most enduring property in movie history, and it will be interesting to see what direction they go in now. No matter what they do, they’ve given Craig a great send-off in No Time to Die, even if it’s not as spectacular as some of his earlier entries.

     

    ---

     

    No Time to Die opens in theaters on October 8.

    Ralph Fiennes, Naomie Harris, and Rory Kinnear in No Time to Die.

    Ralph Fiennes, Naomie Harris, and Rory Kinnear in No Time to Die
      
    Photo by Nicola Dove/MGM
    Ralph Fiennes, Naomie Harris, and Rory Kinnear in No Time to Die.
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    Film Fest News

    Top picks of the 2025 Asian Film Festival of Dallas coming in July

    Teresa Gubbins
    Jul 3, 2025 | 11:27 am
    Baby Assassins: Nice Days
    AFFD
    Asian Film Festival's Baby Assassins: Nice Days

    The annual Asian Film Festival of Dallas — a nonprofit dedicated to celebrating Asian and Asian-American filmmakers — returns in 2025 with more than two dozen films including action movies, comedies, thrillers, and short films.

    The four-day festival will take place July 24-27 at the Angelika Film Center Dallas, 5321 E. Mockingbird Ln. #230, and will include award-winning films, premieres, and red carpet action.

    Highlights include:

    • Opening Night July 24: Shinji Araki's Japanese thriller Penalty Loop
    • Centerpiece July 25: Johnny Ma’s comedy-drama The Mother and the Bear (Johnny Ma will also be in-person at AFFD to participate in the post-screening Q&A.)
    • Women's Showcase July 26
    • Closing Night July 27: Yugo Sakamoto's Japanese action-comedy Baby Assassins: Nice Days

    AFFD will also host a special Saturday Women’s Showcase spotlighting female filmmakers from across Asia—South Korea, India, Singapore, and Vietnam—as well as the U.S.

    "For the festival as whole, while fans can still count on the high-energy action films we’re known for, a deeper theme emerged as I programmed the lineup — the power of connection," says Programming Director Paul Theiss in a release. "This year’s festival explores the deep human need to reach out, be seen, and never go it alone. And what better place to celebrate that spirit of connection than at a film festival, which brings us together through the shared experience of storytelling.”

    Women's Showcase
    Highlights include:

    • Mye Hoang's 25 Cats From Qatar. Film about an American flight attendant and cat cafe owner who reacts to a homeless cat crisis in Qatar by coming up with a plan to fly 25 cats to Milwaukee, with her cat cafe providing the way for people to adopt them.
    • Dương Diệu Linh’s Don’t Cry, Butterfly. Focuses on a wedding venue staffer who learns of her husband’s affair while watching live TV. Instead of confronting him, she uses a voodoo spell to reclaim his love.
    • Nelicia Low’s Pierce. Thriller follows the push and pull between a young fencer and his estranged older brother, recently released from juvenile prison after serving time for killing an opponent during a fencing match.

    All three filmmakers will be in Dallas to participate in Q&As following their screenings.

    Sunday will feature films with attending filmmakers leading up to the Closing Night screening of Yugo Sakamoto's Japanese action-comedy Baby Assassins: Nice Days, including:

    • Jeff Mann’s Paper Marriage finds comedy and drama in the story of a Chinese immigrant facing deportation, who pays an unemployed and directionless man to marry her.
    • Lee Jong-min and Yeum Moon-kyoung’s South Korean comedy The Last Woman on Earth looks at a female screenwriter who finds tension with her fellow film students due to her script’s anger toward men.

    Also noted for its singular party presentations, this year the Asian Film Festival of Dallas will complement the screenings and filmmaker appearances at AFFD with Opening Night, Centerpiece, and Closing Night parties at the Angelika Film Center with Asian cuisine and crafted drinks by George Kaiho, featuring Suntory Japanese Whisky, as well as themed presentations, filmmaker meet-and-greets, and photo opportunities for film fans who have come out to enjoy the great AFFD programming during those evenings.

    To purchase badges, tickets, and find a full list of all the films, go to asianfilmdallas.com.

    Over the last 20+ years, the festival has provided opportunities for more than 400 Asian and Asian-American filmmakers to share their vision, often providing the only venue for their films to be shown in Dallas. The films have also allowed festival goers a chance to experience other lives and cultures without leaving their seats.

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