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Movie Review

Documentary Time tackles large issue by going personal

Alex Bentley
Oct 8, 2020 | 3:17 pm
Documentary Time tackles large issue by going personal
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The standard movie, no matter if it’s fiction or documentary, spends a certain amount of time introducing its story and characters. Some do it in a flash, some take a long time, but all of them try to make sure that the audience knows what’s at stake before delving into the meat of the film.

The new documentary Time eschews that norm, along with many others, for an experience that cuts to the bone and confuses in equal measures. At the forefront of the film is Fox Rich, whose husband Rob is serving a 60-year prison sentence for armed robbery. As the film goes along, we gradually learn that Fox is working hard to get him out of prison, and that she spent an unspecified amount of time behind bars as an accessory to the crime.

What director Garrett Bradley doesn’t do is try to tell the story linearly. Using a mixture of home footage from the Riches and his own professional filming, all of which is in black-and-white, Bradley jumps back and forth in time in the family’s life. Slowly but surely, we come to understand the impact that Rob’s incarceration has had on the family, as well as the depth of Fox’s devotion not only to her husband, but to the cause of opposing unfair sentencing practices.

Unlike similar films, this is not a wrongful conviction story. Fox freely admits the crimes she and Rob committed, but strongly objects to the idea that his crime is one for which he should spend the majority of his life in prison. Were this another film, it would try to educate viewers about unfair sentencing practices in general, using Rob’s sentence as its prime example. However, Bradley prefers to keep the message personal, leaving broader proclamations to films like Ava Duvernay’s 13th, many of which are echoed in Fox’s musings.

In so doing, though, he leaves out or blurs some significant details. Though it’s apparent that Fox has been working a long time to get Rob out of prison, it’s unclear how many years have passed, although we get strong clues by seeing how much their kids have aged. In the same vein, it’s never explained why Rob received such a long sentence or what methods Fox is using to secure parole or a sentence reduction. Fox is obviously tenacious and mostly unflappable, but the film leaves the audience in the dark as to the minutiae of her work.

Instead, the film follows Fox’s lead and keeps her family as its main thrust. Instead of concentrating on negative aspects, Bradley notes the various successes of their lives, including one son’s scholastic achievements. While we rarely see Fox and Rob together, the force with which she talks about him and their kids leaves no doubt as to the strength of their bond, even through their long separation.

Time is a message film, but it’s one where the smaller message trumps what’s normally perceived as the bigger message. For Fox Rich, family is everything, and anyone who has a partner as determined and loyal as her should consider themselves lucky.

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Time is playing in select theaters starting on October 9 and will stream exclusively on Amazon Prime Video starting on October 16.

Fox Rich and Rob Rich in Time.

Fox Rich and Rob Rich in Time
Photo courtesy of Amazon Studios
Fox Rich and Rob Rich in Time.
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Movie Review

New biopic 'Jimmy' salutes Jimmy Stewart's service in World War II

Alex Bentley
Nov 6, 2026 | 11:41 am
KJ Apa in Jimmy
Photo courtesy of Papaian Studios
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Actor Jimmy Stewart, thanks to movies such as Mr. Smith Goes to Washington, The Shop Around the Corner, and The Philadelphia Story, had the reputation early in his career as the everyman in Hollywood, someone to whom most audiences could relate. That became even more true when Stewart entered the military during World War II, a period that is explored in the new biopic, Jimmy.

The film was co-produced with Fort Worth-based Papaian Studios and received a red-carpet premiere as part of the Lone Star Film Festival on Wednesday, November 4. Stewart had several ties to Fort Worth, which were celebrated at the event.

Stewart (KJ Apa) was riding high in 1941, coming off his first (and only) Oscar win for The Philadelphia Story. As depicted in the film, his life is upended when he receives a military draft notice as the U.S. prepares for war. He’s determined to serve, but people like studio head Louis B. Mayer (Jason Alexander) try to talk him out of it. Already an experienced pilot, he eventually joins the war in Europe, flying the B-24 bomber.

Despite his celebrity status, Stewart requests to be treated the same as any other soldier, which means flying multiple missions over enemy territory. He moves up the ranks, becoming a leader tasked with, among other things, reporting the deaths of service members to their families. He also starts a friendship that develops into a romance with Lady Julia (Kara Killmer), giving him a distraction from the horrors of war.

Directed by Aaron Burns and written by Justin Strawhand, the film has the clear goal of being a hagiography for Stewart, showing all of his good qualities and few of his bad ones. In fact, the character of Stewart is harder on himself than the actual movie is, chastising himself over the deaths of fellow soldiers that he likely could not have prevented. The filmmakers go to great lengths to show how good and well-respected Stewart was, something that may well be true, but doesn’t make for great drama.

The bulk of the film features Stewart at war, following him and others as they fly multiple missions and commiserate over the price of combat. The sequences are fine, but the film’s budget does not appear to be high, and so the CGI needed to recreate the scenes is noticeably subpar. Because Burns and Strawhand usually keep to surface-level storytelling and don’t go deep on any character besides Stewart, his time at war is engaging but slight.

The film is bookended by Stewart and Frank Capra (Max Casella) making It’s a Wonderful Life, Stewart’s first film after coming back from war. It’s here where the movie becomes most interesting as Stewart, still affected by his war experience, struggles to bring the character of George Bailey to life. The behind-the-scenes look at the film-within-the-film and the recreations of its iconic scenes are catnip for anyone who knows/loves the Christmas classic.

Apa, best known for starring as Archie on the TV show Riverdale, does extremely well as Stewart. He nails Stewart’s quavering voice and the way he ambles about plays right into the actor’s established persona. Casella and Killmer get the most play in supporting roles, and each does solid work as characters trying to understand Stewart. Alexander, Sarah Drew as Hedda Hopper, and Rob Riggle as a colonel each go a little too big in their respective parts.

Jimmy is probably best watched as an approximation of the man Stewart was in the 1940s, not as something that’s completely true to life. The film elides or stretches the truth on multiple occasions, which is par for the course in biopics. It could have used some stronger storytelling to make Stewart feel like a real person, not merely a replica of the famous actor.

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Jimmy is now playing in theaters.

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