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    Showbiz News

    Daughter of owner of Dallas' Cane Rosso pizza stars in Lifetime TV movie

    Teresa Gubbins
    Oct 12, 2018 | 10:01 am
    Sophie Grace, Ella West Jerrier
    Sophie Grace and Ella West Jerrier in Terror in the Woods.
    Photo courtesy of Lifetime

    Dallas has no shortage of talented locals getting their crack at the entertainment industry big-time — and now the latest is ready for her moment in the spotlight.

    Ella West Jerrier, who's already earned notice in the North Texas dance world, has a starring role in Terror in the Woods, a Lifetime movie inspired by true events that will premiere on October 14.

    Ella, who is 12, is the daughter of Jay Jerrier and Karen Lynn Smith, known by local foodies as the owners of Cane Rosso, the successful Neapolitan pizza chain with a dozen locations across Texas.

    Jerrier, who has documented her rising star via pithy posts on Facebook, is learning what it's like to be a "showbiz dad," following her from auditions for Broadway plays in New York to film roles and voiceovers in Los Angeles.

    "Ella had danced for years, when one of her instructors suggested she sign up with an agency," he says. "She's auditioned for all sorts of things and gotten a few, including commercials for H-E-B and Stoneyfield Yogurt. She's had many good opportunities — but this Lifetime movie is the biggest. Usually, you'd expect to get a few minutes of dialog in a show or maybe a supporting role, but she and the other two girls are in 99 percent of the movie as the leads."

    Ella plays Rachel, who with her friend Kaitlyn (Sophie Grace), attack a third friend Emily (Skylar Morgan Jones). Sony recently did a movie called Slender Man about two friends who try to stab their friend to death, but Lifetime insists it's not the same story, saying that Terror in the Woods raises questions about mental health and kids' use of the internet.

    To see a one-minute video preview, click here.

    Either way, it represents a big showcase for Ella that is likely to lead to other things, and Jerrier has temporarily moved to Los Angeles with her to help make that happen.

    There are dance and acting lessons, improv sessions, and meetings with agents. There are karaoke nights with other tweens and their guardians — "grizzled vets who've been out here for years," Jerrier says — and auditions for guest roles in TV series.

    With network TV, it's not easy to break in unless you're a known name; but these days, there's an entire alternative world of opportunities.

    "It used to be limited to shows on networks, but now you have all of the cable and digital platforms — Netflix, Amazon, Hulu, even some of the brands are launching their own channels like DC Comics," Jerrier says.

    He and his wife have been supportive of both of their daughters' pursuits — their other daughter, Emma, is big into lacrosse — but it's not a case of them pushing their kids into something they don't want to do.

    "I’m living vicariously through Emma in lacrosse, and Karen lives vicariously through Ella's dancing," he jokes. "But Ella has always been 100 percent on. She has always been an entertainer. This is what she wants to do. Entertain people, make people laugh. She likes to be on the stage with the spotlight on her. She has driven a lot of this. I think kids these days are way more in tune with what they like."

    One other factor that has persuaded them to pursue has been the unsolicited encouragement they've received from people in the industry.

    "You see some kids and then you see her, and she's actually good," Jerrier says. "We've had multiple unbiased third parties give us feedback that she can do this, and that we ought to cultivate it. From acting coaches to casting agents who see a lot of kids, they've all said, 'This kid can do it.'"

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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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