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    Movie Review

    The Oath takes on Trump-ism with an atom bomb of a comedy

    Alex Bentley
    Oct 18, 2018 | 3:30 pm
    The Oath takes on Trump-ism with an atom bomb of a comedy
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    After the election of Donald Trump, it was only a matter of time before a filmmaker would put out a fictional movie taking on the current administration, either in direct or indirect form. The first one to go all in on that concept is The Oath, a hilarious-yet-uncomfortable movie that may feel a little too real.

     

    The film, written and directed by Ike Barinholtz, centers on married couple Chris (Barinholtz) and Kai (Tiffany Haddish). The fictional presidential administration has announced that they are asking all Americans to sign a loyalty oath, with a deadline of the day after Thanksgiving.

     

    Chris and Kai, who are liberal, are hosting Thanksgiving dinner, with their guests including Chris’ conservative brother, Pat (Jon Barinholtz), and his girlfriend, Abbie (Meredith Hagner); Chris’ liberal sister, Alice (Carrie Brownstein), and her husband (Jay Duplass) and kids; and Chris’ moderate parents (Nora Dunn and Chris Ellis).

     

    With protests erupting around the country and people of opposite ideologies in close proximity, it’s only a matter of time before things start to blow up. But the directions those arguments take and the lengths Barinholtz goes to prove his points are wholly unexpected, wild, and supremely entertaining.

     

    There’s no doubt that the film plays like a liberal fever dream, with an authoritarian regime threatening anyone who doesn’t give in to their demands. Even so, one of the most notable aspects of the film is how real it feels. Most comedies of this sort exaggerate situations so as to make it as funny as possible, but Barinholtz accomplishes the same goal while keeping the story relatively down to earth.

     

    He does so by treating each of his characters as actual human beings instead of caricatures. Even if you disagree with what one of them is saying, he or she comes off as fully believable because Barinholtz gave the actors plenty of space to fully inhabit their individual roles.

     

    The balance of humor and drama is as tricky as you can imagine, as characters engage in some truly awkward arguments that would seem to preclude any jokiness. But the film somehow finds a way to bring things back around, and some of the most cringe-worthy moments are also the funniest.

     

    As great as the script is, the film would be nothing without its top-to-bottom stellar cast. Each role is filled to near perfection, with both Barinholtz brothers, Haddish, and Hagner getting the most time to shine. Special note should be made of Billy Magnussen and John Cho, who each deliver bravura performances in the final act.

     

    The release of The Oath just a few weeks before Election Day would seem to be no accident. It’s an atom bomb of a film aimed directly at Trump-ism, and to say it hits its target is an understatement.

    Meredith Hagner and Jon Barinholtz in The Oath.

    Meredith Hagner and Jon Barinholtz in The Oath
      
    Photo courtesy of Topic Studios and Roadside Attractions
    Meredith Hagner and Jon Barinholtz in The Oath.
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    Movie Review

    Dark comedy Oh, Hi! takes relationship anxiety to the extreme

    Alex Bentley
    Jul 25, 2025 | 1:04 pm
    Logan Lerman and Molly Gordon in Oh, Hi!
    Photo courtesy of Sony Pictures Classics
    Logan Lerman and Molly Gordon in Oh, Hi!.

    Movies that depict new or burgeoning relationships tend to focus on the romantic side of things, as the prospect of love is intoxicating whether viewers are in their own relationship or not. Less often depicted is the awkwardness and confusion that can arise when getting to know someone new, something that is done to extreme effect in the new film Oh, Hi!.

    Iris (Molly Gordon) and Isaac (Logan Lerman), who’ve been dating for a few months, decide to take a weekend getaway to the country, which for them means a small town called High Falls, New York (a broken welcome sign has Iris mistakenly call it O High Falls). Having rented a farmhouse for the weekend, the new couple get strawberries from a roadside stand, enjoy the charming nature of the countryside, and, of course, have sex.

    The discovery of some S&M gear in the house inspires Iris and Isaac to get a little kinky. But some post-coital talk turns tense when Iris gushes about how happy she is to have a great boyfriend, and Isaac, still chained to the bed, tells Iris that he doesn’t consider them to be exclusive. This revelation breaks Iris to a degree, and instead of unchaining him, she uses his vulnerable position to try to convince him that they should be together.

    Written and directed by Sophie Brooks, the film is initially an interesting twist on the anxiety that can come with new relationships. Typically manifested in things like obsessing over what to wear or when to call/text someone back, Brooks and Gordon (who came up with the story together) instead decide to go all in on a woman acting “crazy” when confronted with information that doesn’t match her reality.

    Iris’ bad decision to keep Isaac chained to bed and obliviousness to the off-the-wall way she is acting are heightened for effect, although the feelings she’s experiencing remain relatable despite her actions. The conversations Iris and Isaac have, as well as the Google deep dives Iris does to try to discover ways to get Isaac to see the error of his ways, are light and funny despite the seriousness of the situation Iris has created.

    Brooks brings more characters into the story by having Iris call her best friend Max (Geraldine Viswanathan) for help, with Max deciding to bring along her boyfriend, Kenny (John Reynolds). Although their presence adds to the humor of the situation, it also distracts from the main point and leads into some territory that gets a bit too broad. If the story had remained just Iris and Isaac, it might have been able to dig a little deeper than it actually does.

    Gordon, who might be best known for playing Claire on The Bear, does a great job of playing all sides of Iris, from sassy to manic. Although what her character does isn’t defensible, Gordon keeps her likable throughout by never going too over the top. Lerman, a rising star in the early 2010s when he played Percy Jackson, settles nicely into a more adult role, and he too never overplays the absurd situation.

    There are no real insights in Oh, Hi!, but it’s a pleasant watch that accomplishes the goal of delivering a completely different type of romantic comedy. Unless viewers have had an experience with someone who acted anywhere close to Iris, they should be able to enjoy the movie thanks to the committed performances of Gordon and Lerman.

    ---

    Oh, Hi! is now playing in theaters.

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