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    Movie Review

    Only the Brave honors firefighters in gut-wrenching story

    Alex Bentley
    Oct 19, 2017 | 2:30 pm
    Only the Brave honors firefighters in gut-wrenching story
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    You have to have a certain mindset to put yourself in harm’s way for the benefit of others. The bravery demonstrated by first responders doesn’t come naturally for many people, which is why those who are able and ready to do the job are held in such high esteem.

    One such group is honored in the new film Only the Brave. It chronicles the members of the Granite Mountain Hotshots, who fought wildfires in Arizona and across the country. Led by Eric Marsh (Josh Brolin), the group included a variety of personalities, from dedicated family man and second-in-command Jesse Steed (James Badge Dale) to the perpetually single and life-of-the-party Christopher Mackenzie (Taylor Kitsch).

    As the group transitioned from a lower level crew — one not allowed to go to the frontline of a fire — to certified hotshots, they took on additional members like Brendan McDonough (Miles Teller), a recovering drug addict looking to provide for his new daughter. Along the way, they were championed by wildland division chief Duane Steinbrink (Jeff Bridges).

    Director Joseph Kosinski and writers Ken Nolan and Eric Warren Singer have a lot to cover in the story, which takes place over many years. They must not only establish the evolving skills of the firefighters, but also set up the dynamics within the group, the home lives of some crew members, and the changing emotions that come with such an important and dangerous job.

    The filmmakers do a mostly solid job at covering all their bases, although with so many characters, some inevitably get short shrift. Surprisingly, they spend a lot of time delving into Marsh’s relationship with his wife, Amanda (Jennifer Connelly), an unusual and welcome approach for a film that could’ve focused solely on the macho nature of the work.

    The wildfire scenes are the basis for the film, and they don’t disappoint. A combination of CGI work and actual fire makes for highly effective blaze sequences that show just how impossible they were to fight. The filmmakers don’t try to make anyone a superhero; they’re grunt workers through-and-through, and the results they get come from preparation, strength, and stamina.

    Given that the movie is based on real-life events from 2013, it’s no secret the story ends in heartbreak. But even if you know the specifics, the moment still hits you like a punch in the stomach. Kosinski and his team treat it respectfully, showing how the tragedy occurred without being exploitative.

    Though the film likely would have been as effective with a cast of unknown actors, the sheer number of stars and their combined acting experience elevates it to another level. Each of the main actors stands out in his or her own way, but the film is a true collaborative effort, emulating the ethos of the firefighters.

    Films like Only the Brave are made with the best of intentions, to honor people who give their all for others. The film does just that, and earns its gut-wrenching emotions along the way.

    Josh Brolin and Jennifer Connelly in Only the Brave.

    Josh Brolin and Jennifer Connelly in Only the Brave
    Photo by Richard Foreman
    Josh Brolin and Jennifer Connelly in Only the Brave.
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    Movie Review

    Reminders of Him blends trauma and romance in slight but effective story

    Alex Bentley
    Mar 12, 2026 | 11:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s, with the new film Reminders of Him marking the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far - most notably It Ends With Us - are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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