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Movie Review

Jack Reacher: Never Go Back is a prophetic movie title

Alex Bentley
Oct 20, 2016 | 4:49 pm
Jack Reacher: Never Go Back is a prophetic movie title
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In a movie landscape where franchises seem to rule the box office, sequels are the norm, not the exception. That’s especially true when you’re adapting something like the Jack Reacher book series, which now includes 21 books by Lee Childs, giving ample fodder for movies from here to the next century.

But when a film is as lightly received, both critically and commercially, as 2012’s Jack Reacher was, it’s difficult to see why Tom Cruise and company would force another film down audiences' throats. And yet here they are with Jack Reacher: Never Go Back, a sad excuse of a movie that starts bad and only gets worse.

The forever-drifting Reacher (Cruise) is called back into action when the person who took over his old job with the military police, Major Susan Turner (Cobie Smulders), is arrested under shady circumstances. At the same time, he discovers information that he may be the father of a now 16-year-old girl named Samantha (Danika Yarosh), giving him two missions that, Reacher being Reacher, combines into one as the bad guys try to stop him.

There’s really no point going into more depth about the plot, because it’s too convoluted and inconsequential to matter. Writer/director Edward Zwick fast-forwards through any kind of character or plot development, forcing connections between people that aren’t there in order to cram as much action as he can into the movie.

But if we don’t care about the characters, we can’t care about the danger they find themselves in or about much anything else they do. Add in a plethora of cheesy, clichéd lines; action that is generic as it comes; and situations so ludicrous that eye-rolling is the only natural reaction, and you have a film that feels like it came straight out a low budget movie factory, not a major Hollywood studio.

Epitomizing the slapdash way in which this movie appears to have been put together is the casting. The first film, bad as it was, at least had the foresight to cast soon-to-be stars like Rosamund Pike and David Oyelowo, and recognizable stars like Richard Jenkins and Werner Herzog. This one only has Smulders, who at least has a little cachet from How I Met Your Mother and a few Marvel movies, and Robert Knepper, aka the creepy guy in every role he’s every played. Everyone else is straight out of B-movie central casting.

Even Cruise, who usually saves his movies through force of sheer will, can’t do much. He’s reduced to a never-ending series of quizzical looks, and even when he gets a chance to flex his muscles, the aforementioned ho-hum fight scenes do nothing to get the blood pumping.

Never has a title been more appropriate for a film than Jack Reacher: Never Go Back. The filmmakers should have heeded that warning, and it’s a big flashing red light for anyone who’s even thinking about putting down good money for this two-hour waste of time.

Tom Cruise in Jack Reacher: Never Go Back.

Tom Cruise in Jack Reacher: Never Go Back
Photo courtesy of Paramount Pictures
Tom Cruise in Jack Reacher: Never Go Back.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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