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    Ante Up

    How to apply poker strategies to your everyday life

    CultureMap Create
    Oct 26, 2017 | 1:32 pm
    Dallas_Choctaw resort
    Should you fold? Or go all in?
    Photo courtesy of Choctaw Casino & Resort–Durant

    An apt metaphor for life, poker offers many lessons, from how to read people to how to wisely play the hand you're dealt. Below, learn why poker is a lot like life, and how to apply poker skills — such as when to fold, call, bet, bluff, or go all in — to it.

    Experience the excitement and challenge first-hand at the poker tables at Choctaw Casino & Resort–Durant in Durant, Oklahoma.

    It's not the cards you're dealt, it's how you play the game.
    You can't control the hand you're dealt, but you can control how you react. Play your cards right, and you could radically alter the outcome of the game.

    You've undoubtedly heard at least one real-life, rags-to-riches tale; read the stories of the self-made (wo)man. Then there’s the person who "had it all": the intellect, charm, athletic ability, looks, and financial support, only to throw away every opportunity. Sometimes, destiny boils down to making the right moves.

    As American novelist Jack London put it, "Life is not always a matter of holding good cards, but sometimes, playing a poor hand well."

    Poker is rarely about holding the best hand; it's about outplaying your opponents.
    Unlike chess, a two-opponent game, the real world is comparable to poker, in which multiple players interact while trying to make the best out of whatever hand they're dealt.

    It's a game of information processing: collecting data on your opponents and deciphering their patterns of betting and bluffing to help you devise your strategy.

    As the character Mike McDermott, played by Matt Damon in the 1998 poker flick Rounders, put it: "Listen, here's the thing. If you can't spot the sucker in the first half hour at the table, then you are the sucker."

    Winning is about managing risk and reward.
    A popular table quip is, "Over the long run, those who win the most pots lose the most money."

    In sum: bigger risks (bets) mean bigger rewards. And as Paul Newman's character says in The Color of Money​, "Money won is twice as sweet as money earned."

    To win the pot, it's critical to know when to fold, call, raise, bluff, or go all in. Here's our cheat sheet for winning at the poker table and in the game of life.

    • Fold: When it's unlikely your cards hold any potential, fold before you pay to play. If your hand is poor and you know you're playing against a weak, predictable player who has consistently called rather than bet on good cards, it's probably wise to fold when he increases the bet. He probably has something big. Poker, like life, is about responding to circumstances. Sometimes it's best to ride it out and wait for the next opportunity to pounce.
    • Call: While it helps to be selective about the hands you play — in poker and in life — calling, or matching the bet, allows you time to stay in the game and measure your potential against the competition, before opting out or wagering too much.
    • Raise: It’s important to know when to play aggressive, at the poker table and in life. As Damon's character said in Rounders, "You can't lose what you don't put in the middle. But you can't win much either." Some people heed the rule "if it's not good enough to raise, it's not good enough to call." If that's your outlook on life, and if you've got a solid hand, raise for value. You'll likely intimidate timid players who bail when the action gets hot and heavy.
    • Bluff: Bluffing is an art — at the poker table, in the boardroom, in the courtroom, just about anywhere. Essentially, you're trying to make your weak hand look stronger, or vice versa. When it comes to the former, the goal is to bet the least amount necessary to prompt your opponent to fold. When you're trying to downplay your big hand, you're trying to raise the most possible without making your motivations obvious. To bluff effectively, learn to minimize your "tells." Adopt a poker face, or confuse your opponents through animation, exaggeration, and distraction.
    • Go all in: Going all in radically alters the game. Either you intimidate your opponents into folding, or they ante up to make you show your cards or to take you out of the game. Either way, you learn a lot, and fast. The same goes for life. A general rule of thumb is to go all in when you're confident you've got the best hand.

    When all is said and done, remember that life, like poker, is about the journey, not the destination. You might as well enjoy the ride. Want to add a little thrill to your journey? Head to the poker tables at Choctaw Casino & Resort–Durant.

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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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