Miley Cyrus will bring her newly-adult show to American Airlines Center on March 12, 2014.
Photo courtesy of the Alamo Drafthouse
Depending on your perspective, the transformation of Miley Cyrus from teen idol into sexpot has either been highly distressing or highly entertaining. Dallasites will now have an opportunity to judge the new Miley in person when she comes to American Airlines Center on March 12, 2014 as part of her upcoming Bangerz tour.
The Bangerz tour will hit 38 cities in North America, starting February 14 in Vancouver and ending April 24 in Uniondale, New York. In addition to the Dallas stop, Cyrus will play two other dates in Texas, San Antonio on March 15 and Houston on March 16.
Cyrus has been an inescapable force the past few months as she ramped up for the release of her latest album, Bangerz. She released the videos for "We Can't Stop" and "Wrecking Ball" in quick succession, with over-the-top partying, nudity and her ever-protruding tongue showing exactly what to expect from her new persona. Her appearances at the MTV Video Music Awards and Saturday Night Live only served to seal the deal.
The official on-sale date for the tour is Saturday, November 16, but American Express cardholders will have pre-sale opportunities starting November 12. Additionally, anyone who RSVPs to this Facebook page will have a chance to buy tickets early.
Movies that depict new or burgeoning relationships tend to focus on the romantic side of things, as the prospect of love is intoxicating whether viewers are in their own relationship or not. Less often depicted is the awkwardness and confusion that can arise when getting to know someone new, something that is done to extreme effect in the new film Oh, Hi!.
Iris (Molly Gordon) and Isaac (Logan Lerman), who’ve been dating for a few months, decide to take a weekend getaway to the country, which for them means a small town called High Falls, New York (a broken welcome sign has Iris mistakenly call it O High Falls). Having rented a farmhouse for the weekend, the new couple get strawberries from a roadside stand, enjoy the charming nature of the countryside, and, of course, have sex.
The discovery of some S&M gear in the house inspires Iris and Isaac to get a little kinky. But some post-coital talk turns tense when Iris gushes about how happy she is to have a great boyfriend, and Isaac, still chained to the bed, tells Iris that he doesn’t consider them to be exclusive. This revelation breaks Iris to a degree, and instead of unchaining him, she uses his vulnerable position to try to convince him that they should be together.
Written and directed by Sophie Brooks, the film is initially an interesting twist on the anxiety that can come with new relationships. Typically manifested in things like obsessing over what to wear or when to call/text someone back, Brooks and Gordon (who came up with the story together) instead decide to go all in on a woman acting “crazy” when confronted with information that doesn’t match her reality.
Iris’ bad decision to keep Isaac chained to bed and obliviousness to the off-the-wall way she is acting are heightened for effect, although the feelings she’s experiencing remain relatable despite her actions. The conversations Iris and Isaac have, as well as the Google deep dives Iris does to try to discover ways to get Isaac to see the error of his ways, are light and funny despite the seriousness of the situation Iris has created.
Brooks brings more characters into the story by having Iris call her best friend Max (Geraldine Viswanathan) for help, with Max deciding to bring along her boyfriend, Kenny (John Reynolds). Although their presence adds to the humor of the situation, it also distracts from the main point and leads into some territory that gets a bit too broad. If the story had remained just Iris and Isaac, it might have been able to dig a little deeper than it actually does.
Gordon, who might be best known for playing Claire on The Bear, does a great job of playing all sides of Iris, from sassy to manic. Although what her character does isn’t defensible, Gordon keeps her likable throughout by never going too over the top. Lerman, a rising star in the early 2010s when he played Percy Jackson, settles nicely into a more adult role, and he too never overplays the absurd situation.
There are no real insights in Oh, Hi!, but it’s a pleasant watch that accomplishes the goal of delivering a completely different type of romantic comedy. Unless viewers have had an experience with someone who acted anywhere close to Iris, they should be able to enjoy the movie thanks to the committed performances of Gordon and Lerman.