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    Movie Review

    Lucas Hedges brings soul to struggle of shamed gay teen in Boy Erased

    Alex Bentley
    Nov 8, 2018 | 2:22 pm
    Lucas Hedges brings soul to struggle of shamed gay teen in Boy Erased
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    There are many times in the history of Hollywood where rival studios make competing versions of the same type of film. But if one had to guess a topic that would be least likely to produce two different movies of the same ilk, gay conversion therapy would be near the top of that list.

    And yet, just a few months after the release of The Miseducation of Cameron Post, Boy Erased is here to try to rack up a few award nominations. Whereas the first film was based on a novel, this movie is based on the memoir of Garrard Conley, lending it a true-to-life gravitas that makes all the difference in the world.

    Lucas Hedges plays a fictionalized version of Conley named Jared Eamons, the only child of Marshall (Russell Crowe), a car dealer/pastor, and Nancy (Nicole Kidman). After he confesses to having romantic feelings toward men, Marshall and Nancy quickly send him to a gay conversion program that uses all sorts of tactics to convince its participants to renounce their feelings.

    It’s a mostly faith-based approach with little room for disagreement. At first, Jared goes along with the teachings, even telling his mom that he’s enjoying it. But the true nature of the program, led by Victor Sykes (Joel Edgerton), slowly comes to light, revealing itself to be unnecessarily denigrating and occasionally brutal.

    The film, written and directed by Edgerton, employs a back-and-forth style that alternates between scenes of Jared in therapy and ones showing the times in his life that have led to this point. With his life so ingrained in the church, Jared can’t trust even himself, leading to a variety of confusing and sometimes harmful situations.

    For the majority of viewers, the ignorance and insensitivity displayed by those in charge of the program will likely be infuriating. Edgerton gets triple credit on this front, as his deft writing and directing allow the emotions to build, and his role as the program’s leader sets him up as the bad guy who takes the brunt of that emotion.

    Hedges, after earning an Oscar nomination for Manchester by the Sea, is absolutely everywhere this year, including the recently released Mid90s and the soon-to-be-released Ben is Back. It’s no secret why he’s so in demand, as he has a soulfulness that can be applied to a variety of roles. He’s as good as ever here, and with the double dip of Ben is Back, it’s difficult to imagine him not being up for at least one major award this year.

    He is supported by a wealth of great actors, including Kidman, Crowe, Edgerton, and Troye Sivan. Kidman is especially effective, as she gets to play a woman who is much more than she seems on the surface.

    One hopes that the world soon reaches a point where stories like the one in Boy Erased no longer have to be told. Until that time, though, we can take some solace in the fact that the stories allow for the creation of great art.

    Theodore Pellerin and Lucas Hedges in Boy Erased.

    Theodore Pellerin and Lucas Hedges in Boy Erased
    Photo courtesy of Focus Features
    Theodore Pellerin and Lucas Hedges in Boy Erased.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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