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    Gamer Nirvana

    New Frisco museum damn sure will turn everyone into a videogame junkie

    Alex Bentley
    Nov 23, 2015 | 1:21 pm

    Whether you haven't picked up a controller since you last played "Space Invaders" on Atari, or you're a hardcore gamer who stays on top of every innovation, you'll want to see what's inside a new museum opening in late December in Frisco. The National Videogame Museum promises to showcase almost every imaginable videogame innovation to come out of the United States.

    Located inside the Frisco Discovery Center, which also houses the Sci-Tech Discovery Center and Frisco Art Gallery, the National Videogame Museum will be home to more than 100,000 videogame consoles, games, and artifacts from the past and present. The interactive museum aims to bring to life science, technology, engineering, and math (STEM) values by appealing to those who love to play and create videogames.

    The museum is co-founded by three videogame enthusiasts — Joe Santulli, John Hardie, and Sean Kelly — who have made it their mission to collect and archive videogames since the early 1980s. Their collections are about much more than just playing the games.

    "Each of us, before we even met, always found there was a lot more to discover about the history of the game," Hardie says. "A lot of that added to the excitement and the total package to figure out who programmed certain games, then tracking them down and talking to them about what it was like developing those games."

    Their pre-Internet searches for the people behind the videogames included a level of commitment that took them way beyond the moniker of "collector."

    "It was at a time where we would literally go to a city and steal a phonebook out of a hotel so that we could cold call hundreds of people," Kelly says. "This was way more hardcore than any collector now, so I try not to use the word 'collector' much because it just seems so amateurish to us compared to what we've done."

    That attention to detail will be evident at the museum, which will feature a 1980s-inspired arcade of timeless classics, a giant version of "Pong," and gaming stations with more than 12,000 games. Gamers can also explore a collection of rare artifacts like the only Sega Neptune prototype and one of only two Atari Mindlink controllers in the world.

    For many years, a traveling version of the museum was seen at gaming conventions like the Electronic Entertainment Expo. After encouragement from conventiongoers, the group decided to find a more permanent home for the collection.

    Initial searches for a location in traditional videogame locales like Silicon Valley yielded little progress. Randy Pitchford, who moved Gearbox's headquarters to Frisco in 2014, suggested the Dallas suburb as a possibility. Visitors can score a behind-the-scenes look at Pitchford's office at the new museum.

    "I think the city of Frisco was very forward-thinking," Hardie says. "They wanted to develop a cultural center of museums; they have a railroad museum now, and the Sci-Tech Discovery Center is already here. So I think that was part of their master plan, to get various cultural activities involved here, museum-wise, and we fit in."

    The biggest driving force for the trio is to share the love of videogames with the public at large. In fact, finding out what people love is what Kelly is most excited about when the museum opens.

    "The real reward is seeing the reaction of people to the items we have," Kelly says. "I'm looking forward to interacting with the people who come in and seeing their faces and telling them about things they didn't know about or maybe things that I didn't know about from them."

    Oh, and in case you're wondering why the museum spells "videogame" as one word instead of two, it's by design.

    "For a long time we’ve felt that videogames are their own thing and not just a type of game," says Santulli. "So we’ve kind of been on this crusade for years to make it its own word. It's been around long enough now that it should be considered its own art form, it should have its own definition, and it's not a sub-class of some other word."

    The arcade at the National Videogame Museum will include classics like Defender and Ms. Pac Man.

    Games at National Videogame Museum
    Photo courtesy of National Videogame Museum
    The arcade at the National Videogame Museum will include classics like Defender and Ms. Pac Man.
    museumsopenings
    news/entertainment

    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 14, 2026 | 12:30 pm
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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