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    Movie Review

    Dual roles for Halle Berry in Bruised do her no favors

    Alex Bentley
    Nov 26, 2021 | 4:00 pm
    Dual roles for Halle Berry in Bruised do her no favors
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    Sports movies are often among the most predictable films out there. The formula — a person or a team that few people believe in rises above expectations to achieve success or at least respect — is one that has been repeated ad nauseam. The best sports movies find a way to rise above or mitigate their clichés, making viewers forget they already know what’s going to happen.

    That, unfortunately, is not the case with Bruised, in which Halle Berry stars and makes her directorial debut. Berry plays Jackie Justice, a former MMA fighter who’s down on her luck, cleaning houses for a living and doing her best to hide her alcoholism. When her loser of a manager/boyfriend, Desi (Adan Canto), brings her to an underground fight, an impromptu bout leads to Jackie catching the eye of Immaculate (Shamier Anderson), who fronts a local training facility.

    There, with the help of trainer Buddhakan (Sheila Atim), Jackie starts getting the urge to fight again. But at almost the same time, she finds herself having to take custody of her son Manny (Danny Boyd, Jr.), whom she left with his father soon after he was born. The triple burden of getting back into fighting shape, reconnecting with her son (who won’t speak for unknown reasons), and avoiding the wrath of Desi threatens to derail her quest before it even begins.

    The film, written by Michelle Rosenfarb, holds very few surprises, aside from the addition of the long-lost son. But that’s not its biggest problem. Instead, Berry and Rosenfarb somehow find a way to make the inspirational sports story as unappealing as possible. That’s not because Jackie herself is unlikable; the obstacles she has to overcome are such that it’s difficult not to root for her. But the filmmakers are just missing that certain something to take her from merely being the protagonist to being the story’s hero.

    Of course, Jackie is a complicated figure, especially since she all but abandoned her own child. But plenty of other lead characters in sports movies have been equally complex and won over audience’s hearts in spite of their faults. Jackie’s journey is never fleshed out to the degree that she earns the respect of either the viewers or the other characters in the film.

    Much of this has to do with Jackie’s confusing background. Berry herself is 54, but it’s unclear if Jackie is supposed to be that age, too. At one point, they say that Jackie has been out of the sport for four years, and with Manny being only 6 years old, it feels like Jackie is supposed to be younger, at least in her early forties. But the lack of clarity only adds to the frustrating nature of the story.

    It might have been a bit much for Berry to star in her directorial debut. As the director, she doesn’t seem to know how to rein in the more outlandish impulses she has as an actor, a lack of nuance that hurts her performance. Other actors fare better, especially Atim, who exudes a real calm in her role, and Boyd, who relies almost exclusively on his cuteness in the wordless part.

    In Bruised, the filmmakers know exactly what points to hit, but they don’t have a good feel as to how to make them impactful. Berry is a great actress, but this film does her no favors on or off the screen.

    ---

    Bruised is now streaming on Netflix.

    Halle Berry in Bruised.

    Halle Berry in Bruised
    Photo by John Baer/Netflix
    Halle Berry in Bruised.
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    Movie Review

    Matt Damon and Ben Affleck team up for Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 12:43 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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