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    Movie Review

    Wander Darkly explores couple's relationship through dreamlike state

    Alex Bentley
    Dec 11, 2020 | 9:14 am
    Wander Darkly explores couple's relationship through dreamlike state
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    Some movies are so surreal that they can feel like living through a dream. And then there are others, like the new Wander Darkly, that actively present their stories through the dreamlike state of their characters to try to present larger truths about their lives.

    Adrienne (Sienna Miller) and Matteo (Diego Luna) are a couple living in Los Angeles with a newborn baby. Before we even get to know much at all, they get into a car accident, leaving both of them seriously injured. The next thing Adrienne knows, she’s in the hospital, seemingly having an out-of-body experience.

    Not knowing if she’s alive or dead, Adrienne goes on a film-long exploration of her life with Matteo, reliving various moments of their relationship, whether they were good or bad. In so doing, the film dives deep into the psyches of both people, laying bare each of their weaknesses while trying to understand what makes each of them tick.

    Written and directed by Tara Miele, the film takes the unusual approach of telling a couple’s story through flashbacks, but as if the couple was remembering their past lives while they were living them. It’s a confusing method at first, but it gets easier to understand as film goes along.

    As if that wasn’t enough, the film recreates moments from their relationship through the prism of their memories, which may or may not be accurate. Adrienne and Matteo tend to remember the circumstances of key events differently, so the viewer can never be sure what to trust. Add on the idea that Adrienne may have some mental health issues and Matteo may by somewhat untrustworthy, and it’s a lot to process.

    Miele keeps all of this flowing thanks some nice visual trickery that makes it seem as if one scene is blending into the next, no matter how disparate the setting. It really does feel as if you’re in a dream with Adrienne, taking a ride on her wave of emotions. Befitting the circumstances of how she entered her reverie, the film does not idealize her relationship with Matteo, ironically making the film more about realism than romance.

    Both Miller and Luna have had understated movie careers. While neither has hurt for work over the past 20 years and both have made appearances in some big movies, neither has become an A-list star. Their performances here are typical of their previous roles – solid and believable, although the way the story is told, neither transcends the material itself.

    Wander Darkly is a meditation on relationships, parenthood, and life itself. While mostly a downer of a film, it gets points for not trying to gloss over the faults of its characters, delivering a story that earns its emotions thanks to its authenticity.

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    Wander Darkly opens in select theaters and on premium on-demand on December 11.

    Sienna Miller and Diego Luna in Wander Darkly.

    Sienna Miller and Diego Luna in Wander Darkly
    Photo courtesy of Lionsgate
    Sienna Miller and Diego Luna in Wander Darkly.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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