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    Movie Review

    Jumanji: The Next Level earns another high score in comedy

    Alex Bentley
    Dec 12, 2019 | 2:01 pm
    Jumanji: The Next Level earns another high score in comedy
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    Movies based on video games have been notoriously bad over the years, with very few managing get across what makes video games appealing. So, naturally, it took a movie about a fake video game, Jumanji: Welcome to the Jungle, to succeed where so many others had failed. Now the makers of that 2017 film are hoping that lightning can strike twice with Jumanji: The Next Level.

    The four unfortunate teenagers who got sucked into the video game in the first film do so again after Spencer (Alex Wolff) unadvisedly goes back into the game to search for extra meaning to his life. In the midst of a rescue mission by his friends, the game glitches, grabbing not only Martha (Morgan Turner) and Fridge (Ser’Darius Blain), but also Spencer’s grandfather, Eddie (Danny DeVito), and his friend, Milo (Danny Glover).

    That glitch mixes up their characters, with Eddie becoming Dr. Bravestone (Dwayne Johnson), Milo becoming “Mouse” Finbar (Kevin Hart), Fridge becoming Professor Oberon (Jack Black), and Martha remaining as Ruby Roundhouse (Karen Gillan). The switched personalities offer plenty of opportunities for the actors, especially Johnson and Hart, to act completely unlike their normal selves.

    In fact, the plot of the film — which involves something about the characters having to recover a stolen jewel in order to defeat the game — takes a backseat to the humor that comes from having each of the actors/characters in the game take on the personalities of the actors/characters outside of the game. That sentence can make things sound complicated, but it works like a charm in the context of the film.

    Having Johnson and Hart act like old men who now have the physical gifts of younger men is the gift that keeps on giving. You’d think that Johnson scrunching up his face or Hart talking slowly would get old, but those and other “older” traits, combined with the physicality of the action scenes, works every time.

    Gillan and Black get in on the fun to a lesser degree. Their less distinctive non-game counterparts are not as entertaining, but each of them knows how to amp things up to keep the movie humming. Late movie appearances by Nick Jonas, Awkwafina, and a majestic black horse only make the proceedings more fun.

    Writer/director Jake Kasdan and co-writers Jeff Pinker and Scott Rosenberg, each of whom worked on the first film, have a knack for keeping the pedal to the metal without ever going off the road. They mix together clever twists, new elements, and callbacks, including a fantastic nod to the original 1995 film, for a result that works extremely well.

    Johnson has made a number of questionable decisions in his acting career, but being part of the growing Jumanji franchise is not one of them. Jumanji: The Next Level disproves the law of diminishing returns with sequels thanks to a bevy of humor, action, and actors exploring their full capabilities.

    Dwayne Johnson and Kevin Hart in Jumanji: The Next Level.

    Dwayne Johnson and Kevin Hart in Jumanji: The Next Level
    Photo by Frank Masi
    Dwayne Johnson and Kevin Hart in Jumanji: The Next Level.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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