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    Movie Review

    Star Wars: The Rise of Skywalker enthralls and frustrates in series finale

    Alex Bentley
    Dec 18, 2019 | 10:56 am
    Star Wars: The Rise of Skywalker enthralls and frustrates in series finale
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    For more than 40 years, the specter of Star Wars has hung over the movie landscape like no other franchise. It has influenced countless filmmakers, showing up in big and small ways in multiple other works of art. Now, characters new and old are getting one last chance to add to the series' legacy with Star Wars: The Rise of Skywalker.

    Without getting into spoiler specifics, the Resistance — led by Rey (Daisy Ridley), Finn (John Boyega), Poe (Oscar Isaac), Chewbacca (Joonas Suatamo), and General Leia Organa (Carrie Fisher) — are still facing the threat of the First Order, led by Supreme Leader Kylo Ren (Adam Driver). But a new danger has emerged, one that divides the focus of the Resistance and may also usurp the power of the First Order.

    The previous film, The Last Jedi, was a divisive effort because of new elements that writer/director Rian Johnson introduced to the series. J.J. Abrams, who directed and co-wrote The Force Awakens, is back for Episode XI, and he brings with him both the familiar and unfamiliar.

    There are plenty of recognizable settings and characters from previous movies to trigger nostalgia, but enough is different so as to not seem simply like a retread of things that have been done before. He also introduces some heretofore unseen elements that may have some purists crying foul.

    That said, a lot of retconning is done to make sure plot points that were introduced in the previous two films fall into place. Some of them feel organic to an ever-evolving plot, but there are more than a few that come off as shoehorned in, putting a round peg in a square hole just to provide some sort of answer.

    Unfortunately, one of the biggest of these is the presence of Leia in the film. Abrams and his team used footage from Fisher's work on The Force Awakens to make her a part of the plot, and a series of perfunctory lines fail to do justice for either the character or the actor, who died in 2016. Because of Leia's relationships with other characters, emotions do come, but they don't feel fully earned.

    The connection between Rey and Kylo Ren was the overarching part of the first two films, and that bond comes to a head in The Rise of Skywalker. Abrams and Johnson have tried to make this relationship on par with that of Luke Skywalker and Darth Vader, but it's never had that depth of feeling. Still, they do engage in some epic battles, and the way their story is wrapped up is fully satisfying.

    Poe and Finn are crucial to the plot of the film, but neither feels as important as Rey. They spend most of their time ensconced with the rest of the Resistance, and their efforts are more part of the team than as individuals. They do get some fun and exciting moments, but nothing that makes them truly stand out.

    Part of the reason for this is because the new characters in this trilogy have never been able to move out of the shadow of the characters from the first trilogy. The old characters are revered or reviled by the new characters for good reason, but the attention paid to them has prevented these new films from ever being able to establish their own identity.

    Star Wars: The Rise of Skywalker is a finale that is both enthralling and frustrating, feelings that could change in either direction on repeat viewings. One can only hope that, now that the Skywalker saga is finished, future Star Wars films can explore whatever direction they please without being as beholden to the legacy that came before.

    The cast of Star Wars: The Rise of Skywalker.

    The cast of Star Wars: The Rise of Skywalker
    Photo courtesy of Walt Disney Studios
    The cast of Star Wars: The Rise of Skywalker.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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