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    Modern War Film

    American Sniper delivers stirring tribute to Texas hero Chris Kyle

    Alex Bentley
    Dec 22, 2014 | 12:11 pm
    American Sniper delivers stirring tribute to Texas hero Chris Kyle
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    Last we heard from director Clint Eastwood, he was fumbling his way through the adaptation of the jukebox musical Jersey Boys. So naturally he would quickly follow that up with American Sniper, a modern warfare movie tackling the story of Chris Kyle, who was considered the deadliest sniper in U.S. history.

    Kyle (Bradley Cooper) was a Texas native whose dreams of being a cowboy took a back seat when he saw attacks on the U.S. around the world, including on 9/11. Recruited to be a Navy SEAL, he ended up serving four tours of duty in Iraq, coming to be known far and wide on both sides of the war for his proficiency with a long-range rifle.

    Using a Texas drawl and a clinched jaw, Bradley Cooper makes Kyle into a man’s man who also understands his limitations.

    Eastwood and screenwriter Jason Hall worked from Kyle’s own book; they had only just begun when Kyle was shot and killed at a North Texas gun range in February 2013. They attempt to give a full sense of the man, devoting significant portions to Kyle’s home life — or perhaps lack thereof — with his wife, Taya (Sienna Miller). They show Kyle to be a man who’s torn between his sense of duty to his country and his obligation to his family at home.

    Eastwood, who did a great job with the World War II double feature Flags of Our Fathers and Letters from Iwo Jima, takes on a different animal with this film. Even now, what the military had to face during the war with Iraq started under President George W. Bush is difficult to understand completely, so working up enmity toward the opposition in a film is equally challenging.

    That doesn’t stop Eastwood from trying, as he makes much of an enemy sniper who was just as fearsome as Kyle. That foe, multiple moral quandaries and other decisions most of us would never want to face are what Kyle had to deal with during his time in Iraq, and for the most part Eastwood and Hall do a solid job in making them as dramatic as possible.

    Still, the film could have used a bit more subtlety. The combat scenes often hark back to old-style war films where the killing of the enemy, rather than strategy, is the only thing that mattered. And Kyle’s time at home in between tours feels rushed, so the audience never fully comes to grips with what he is feeling.

    Cooper plays Kyle with a sensitivity that belies his bulked-up appearance. Using a Texas drawl and a clinched jaw, he makes Kyle into a man’s man who also understands his limitations. Miller is a chameleon who also hid in plain sight in Foxcatcher. She is a great complement to Cooper, turning a possibly one-note role into something much richer.

    Unlike films like The Hurt Locker or Zero Dark Thirty, there are few big lessons to learn from American Sniper. But as a tribute to a soldier whom many others credit with saving their lives, it more than fits the bill.

    Bradley Cooper plays Chris Kyle in American Sniper.

    Bradley Cooper in American Sniper
    Photo courtesy of Warner Bros. Pictures
    Bradley Cooper plays Chris Kyle in American Sniper.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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