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    Movie Review

    The Big Short amuses even if the message depresses

    Alex Bentley
    Dec 23, 2015 | 6:00 am
    The Big Short amuses even if the message depresses
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    On the list of real-life events that most people would not want to relive, much less try to be entertained by, the housing market collapse of 2008 resides near the top. And yet here is The Big Short, directed by comedy filmmaker Adam McKay, attempting to bring a measure of levity to the worst financial crisis any of us hope to ever know.

    McKay does so by focusing on three groups of mostly unrelated people in the financial industry who saw the collapse coming and bet many millions of dollars on the idea that it would happen. They include Dr. Michael Burry (Christian Bale), leader of a hedge fund; Mark Baum (Steve Carell) and Jared Vennett (Ryan Gosling), two players on Wall Street; and Ben Rickert (Brad Pitt), a veteran banker who helps two green investors exploit the financial system.

    Each of them goes about betting against the housing market, or in financial lingo, “shorting” it, in different ways. Much of the humor of the film comes in how each of them, in the face of much derision, forges forward because of their foresight. At the same time, the situations contain either underlying or overt drama, since them being right means almost certain disaster for the country, if not the world.

    McKay and co-writer Charles Randolph know that the details of the financial market can be, to put it mildly, a bit dry. Even though they still use a lot of it because it’s unavoidable, they occasionally make it more interesting by having celebrities like Margot Robbie, Anthony Bourdain, and Selena Gomez break concepts down so that non-experts can understand them.

    They inject additional comedy into the proceedings by giving many of the main characters big or quirky personalities, and by saddling each of the stars with ridiculous wigs. Carell and Gosling, previously co-stars in Crazy, Stupid, Love., get to go the most wild, while Bale and Pitt let their absurd hair do the talking for them.

    But as entertaining as some of the scenes can be, there’s no escaping the downbeat ending we all know is coming. It’s difficult to root for any of characters’ successes knowing that their gain is our pain. Even though none of them seems to do anything wrong, and some even express remorse about their role in the process, they’re never really “heroes.”

    The two big winners, acting-wise, are Carell and Bale, for almost opposite reasons. Carell’s role has more meat to it, as Baum’s incredulity and anger give him a lot to work with. Bale’s role is subtler but just as effective. Special credit should also be given to supporting actors like Rafe Spall, Hamish Linklater, Jeremy Strong, John Magaro, and Finn Wittrock. They each give true support to the stars, setting them up brilliantly time and again.

    In its own way, The Big Short is as vital a message movie as has come out in recent years. The downright depressing coda, which shows that almost nothing has changed in the seven years since the start of the crisis, should be a wake-up call for anybody who thinks this could never happen again.

    Steve Carell and Ryan Gosling in The Big Short.

    Steve Carell and Ryan Gosling in The Big Short
    Photo by Jaap Buitendijk
    Steve Carell and Ryan Gosling in The Big Short.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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