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Movie Review

Acting generations come together for awkward family drama Sam & Kate

Alex Bentley
Nov 11, 2022 | 1:13 pm

Dustin Hoffman and Sissy Spacek are two of the most notable actors to ever appear in films, with each winning at least one Academy Award alongside multiple other Oscar nominations. Each has a child – Dustin’s son Jake Hoffman and Spacek’s daughter Schuyler Fisk – who has followed in their parent’s footsteps in the acting profession, although neither has achieved similar success despite respectable careers.

The new film Sam & Kate brings together the two generations in an ill-fated attempt at capitalizing on show biz legacies. Sam (Jake Hoffman) has come back home to live with and take care of his father, Bill (Dustin Hoffman), who is in somewhat ill-health. Sam, who calls his dad Bill instead of Dad, temporarily works at a chocolate factory with his friend Ron (Henry Thomas).

Sam also develops a crush on Kate (Schuyler Fisk), a woman his age who works at a bookstore. A chance encounter with Kate and her mom, Tina (Spacek), at a restaurant brings them all together, and the two would-be couples start a tentative flirtation. But each person has their own set of issues that threaten to prevent a romance before it even starts.

Written and directed by first-time feature filmmaker Darren Le Gallo, the film features a lot of awkwardness, and not in a good way. It’s clear that both Bill and Tina are supposed to be different types of misanthropes, and that Sam and Kate essentially have to try to make up for their respective parent’s quirky ways. But Bill and Tina’s issues are only lightly explored, never becoming all that interesting.

Worse is the coupling of Sam and Kate. Sam is far from the smoothest flirter in the world, and every attempt he makes at wooing Kate is so cringy that it’s painful. The combination of Le Gallo’s basic dialogue and Jake Hoffman’s less-than-stellar acting defuses any romantic potential, as none of it is cute or endearing. It is said at one point that Kate is way out of Sam’s league, and the film does nothing to dispel that notion.

It’s almost like Le Gallo – who’s married to Amy Adams, an executive producer on the film – had the idea of putting both pairs of parent and child together in a film, and couldn’t figure out what to do from there. The film is competently made, but the story is never involving or convincing in the slightest. The characters merely exist without a compelling reason for telling their stories.

Each of the actors does what they can with the material, with varying degrees of success. Neither Dustin Hoffman or Spacek delivers an Oscar-quality performance, but that seems to have more to do with the filmmaking than them. Fisk has the best role in the film, which isn’t saying much, but she maintains her appeal throughout.

In naming the film Sam & Kate instead of Bill & Tina, Le Gallo seems to have been trying to pass the baton from one generation to the next, but he forgot to come up with a good story in the process. Both the Oscar-winning actors and their progeny deserved a better showcase.

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Sam & Kate is now playing in select theaters; it will be available on-demand at home starting November 18.

Jake Hoffman, Schuyler Fisk, and Sissy Spacek in Sam & Kate

Photo courtesy of Vertical Entertainment

Jake Hoffman, Schuyler Fisk, and Sissy Spacek in Sam & Kate.

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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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