Let's Fest

Art, music, and family fun await at 2 treasured Richardson festivals

Add two festivals to the list of things blooming in Richardson each spring: Cottonwood Art Festival and Wildflower! Arts & Music Festival.

It’s the 55th year for Cottonwood Art Festival (May 4-5) and the 32nd for Wildflower! Arts & Music Festival (May 17-19). Here’s what you need to know about both:

Cottonwood Art Festival

What to expect: No matter your art personality type, you’ll find something to love amid more than 200 global artists’ juried work, spanning paintings and sculpture to ceramics, jewelry, fiber art, fine glass, woodwork, mixed media, and photography.

Make sure to look for this year's featured artist, ceramicist Gregory Story. The South Texas native now works out of his Chicago studio, Modern Clay, but studied at both Texas Christian University and the University of Texas at Arlington. He's known for his signature smiley sculptures, which were created as a welcome back post-COVID, and has added onto them with baseball caps in orange, blue, black, and red.

There’s also live music across two stages along with an arts-and-crafts area for the kiddos and plenty of food and drink for all on tap.

Where: Cottonwood Park, 1321 W. Belt Line Rd.

When: Saturday, May 4, 10 am-7 pm; Sunday, May 5, 10 am-5 pm.

Tickets: Admission and parking are both free, with shuttles running continuously between the park and the Richardson High School football stadium lot.

History lesson: Celebrating 55 years, the award-winning Cottonwood Art Festival is a twice-yearly juried show that has become a signature art event in the community and beyond. The festival also provides innovative outreach programs for students, with the goal of broadening interest in visual arts and bringing the art world into classrooms.

More details:CottonwoodArtFestival.com

Wildflower! Arts & Music Festival

What to expect: With six stages and 100-plus performers, including Nile Rodgers & CHIC, Randy Rogers Band, KC & The Sunshine Band, The Struts, Sister Sledge, Monica Saldivar, and more, your listening schedule will be packed at this fest.

Beyond the stages, the Prosperity Bank Marketplace is a one-stop-shop for local and regional accessories, art, home decor, apparel, and more.

There’s also The Zoo art guitar auction, songwriter competition, and Patterson & Associates Performance Row that features street performers, acrobats, and magicians. Plus, look for Wildflower! Kids, a family-fun zone with art, games, informative activities, and kid-friendly tunes.

Wildflower! in Richardson is always a can't-miss event.

Photo courtesy of Wildflower! Festival

Wildflower! in Richardson is always a can't-miss event.

Where: Galatyn Park Urban Center, located at Galatyn Parkway and U.S. 75.

When: Friday, May 17, 6 pm-midnight; Saturday, May 18, 11 am-midnight; Sunday, May 19, 11 am-6 pm.

Tickets: Friday and Saturday are $30 online ($45 at the gate), Sunday is $15 online ($25 at the gate), and kids 12 and under are free. Richardson residents can score tickets for only $15.

A three-day pass is $65, and the popular Friends of the Festival VIP package is $400. It includes 2 VIP wristbands for the weekend, access to preferred VIP seating at Methodist Richardson Medical Center Stage, complimentary food and beverages (including beer and wine), shade and relaxed seating in the VIP Hospitality Lounge, and 1 VIP parking pass valid for the entire weekend.

Parking: Complimentary parking will be available within the nearby surrounding area. Festival-goers are encouraged to take advantage of the DART Red Line light rail, which stops at the Galatyn Park Station, located immediately adjacent to the west side of the festival grounds.

History lesson: Wildflower! began as a small community gathering in 1993 and has since become one of the most popular cultural events in North Texas, with tens of thousands of fans showing up for their favorite artists.

More details:WildflowerFestival.com

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Movie Review

Daniel Craig searches for elusive new bond in audacious film Queer

Photo courtesy of A24

Drew Starkey and Daniel Craig in Queer.

As recently as the late 2010s, if a movie was made about an LGBTQ+ character, it was more than likely about their coming out experience. Romance, if it existed, was typically chaste, and actual sex was almost completely out of the question. Things have changed dramatically in the 2020s, to the point that a major movie star has no issue starring in a film called Queer.

Based on the 1985 novella by William S. Burroughs, the film features William Lee (Daniel Craig), whom everyone calls just Lee, a writer living in 1950s-era Mexico City who spends most of his time haunting local bars with friends like fellow writer Joe Guidry (Jason Schwartzman) and hitting on younger men. His early interactions in the film seem to indicate that Lee has a bad reputation within the local gay community, as multiple people avoid him or give him odd looks.

Lee senses an opportunity when he encounters a newcomer, Eugene Allerton (Drew Starkey). Despite some awkward interactions, the two of them start spending time together, although Lee has much more invested in the relationship than Eugene does. Their hit-and-miss bond continues until Lee, who’s starting to get into drugs in addition to the booze, convinces Eugene to accompany him on a trip to South America.

Directed by Luca Guadagnino and written by Justin Kuritzkes (making their second straight film together after Challengers), early on the film seems to be mostly about the divide between an older person who’s grown comfortable in his ways and a younger person who’s living a relatively carefree life. The introduction of drugs into the plot changes things, though, with Lee searching out more ways to open his eyes to what the world has to offer.

Guadagnino and his team use some interesting visual storytelling techniques to introduce ideas that may not be present in the actual script. The most successful, demonstrated in multiple scenes, is the superimposition of movements by Lee over what’s actually taking place in the scene. The subtle overlay gives the audience insight into Lee’s true feelings, showing what he can’t or won’t say out loud.

Music also plays a big part in how the plot is perceived, with the use of anachronistic songs from Nirvana and Prince serving to heighten certain moments. The score by Trent Reznor and Atticus Ross is not as in-your-face as the one they did for Challengers, but it complements the film well, especially when the plot starts to get trippy in its final half hour.

Craig, who appears sweaty and disheveled for much of the film, is about as far from the suaveness of James Bond as you can get in this role. He takes multiple risks with his performance and almost all of them pay off. Starkey’s character is subdued by comparison, but still comes off well. Schwartzman and Lesley Manville are given showy roles, with both using altered appearances that make them nearly unrecognizable to deliver memorable performances.

Queer is not as accessible as Challengers was storytelling-wise, but the fact that it tells a story about gay men living their lives as they see fit with no interference or questions shows how far the film world has come in a short period of time. It also continues Guadagnino’s streak of making audacious films in a way that few other filmmakers are willing or able to approach.

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Queer is now playing in theaters.

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