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    Movie Review

    Third time's not the charm for My Big Fat Greek Wedding 3

    Alex Bentley
    Sep 8, 2023 | 11:23 am

    Keeping a franchise going in Hollywood is dependent on a lot of factors, but prime among them is a studio’s willingness to pay for it and an audience’s interest in seeing more of it. My Big Fat Greek Wedding was the surprise hit of 2002, earning over $368 million worldwide and even a screenwriting Oscar nomination for writer/star Nia Vardalos.

    Vardalos immediately turned that success into a CBS sitcom, My Big Fat Greek Life, in 2003 … which lasted seven episodes. Thirteen years later, she tried to resurrect the franchise with 2016’s My Big Fat Greek Wedding 2 … and was met with a resounding yawn from both critics and moviegoers. And yet, she’s somehow convinced the right people that an audience exists for My Big Fat Greek Wedding 3.

    For the first time in the franchise, the title doesn’t refer to just the family of Toula (Vardalos), but also the location, as she, her husband Lan (John Corbett), her brother Nick (Louis Mandylor), her daughter Paris (Elena Kampouris), and more have returned to the Greek hometown of the family patriarch for a “reunion.” Except, for most of the film, it’s just them, the town’s mayor, Victory (Melina Kotselou), and a few others.

    There is no real plot to speak of from writer/director Vardalos, as it’s just an excuse to string together a bunch of supposedly humorous gags about the unwelcoming nature of one local woman, the boorish personality of Nick, a will they/won’t they with Paris and ex-boyfriend Aristotle (Elias Kacavas), and more. That would be all well and good if the film had any kind of comic timing or charm. Which it doesn’t. Zero.

    In fact, the first 30 minutes of the film are shocking in how inept the filmmaking is, with it turning into the equivalent of watching dead air on radio. None of the jokes land, shots are held on characters for unknown strange reasons, and the music sometimes drops out altogether, making the scenes very awkward.

    Once they arrive in Greece, there are at least the visuals of the countryside to distract, but Vardalos manages to botch even that. Very few of the scenes take place in objectively picturesque locations, and even those that do don’t take full advantage of the views. Why you would travel all the way to Greece to not make it a love letter to that country is strange indeed.

    You would also think that being in Greece would result in fun performances, but almost none of the actors seem like they’re having a good time. The lone exception is Andrea Martin as Aunt Voula, who absolutely slays with her criminally-small amount of screentime. Vardalos has also saddled Toula’s mother, Maria (Lainie Kazan), with dementia, a choice that does neither the actor nor the film any favors.

    Much like Adam Sandler setting many of his movies in exotic locations, it feels like Vardalos only made My Big Fat Greek Wedding 3 as a way to get her and her cast to Greece. The film itself is a hodgepodge of scenes with little humor or emotion, making it a waste of 90 minutes for anyone unlucky enough to sit through it.

    ---

    My Big Fat Greek Wedding 3 is now playing in theaters.

    Nia Vardalos and John Corbett in My Big Fat Greek Wedding 3

    Photo by Yannis Drakoulidis / Focus Features

    Nia Vardalos and John Corbett in My Big Fat Greek Wedding 3.

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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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