'80s concert news

Boy George and Culture Club bring good karma to Dallas with summer show

Any self-respecting '80s New Wave/New Romantic/pop fan would no doubt possess a mixtape — or at least a Spotify playlist — featuring Boy George and Culture Club, Berlin, and Howard Jones. Now, Dallas fans of all three can ditch the Maxell cassettes and experience the real thing, as all three acts head to town on a new tour.

Flamboyant '80s pop/fashion/culture icon Boy George and his act Culture Club will hit Dos Equis Pavilion on August 10 as part of "The Letting It Go Show," a 25-city summer U.S. tour featuring the three Big '80s acts. The tour also will hit Cynthia Woods Mitchell Pavilion in The Woodlands on August 11 and Austin's Germania Insurance Amphitheater on August 12.

Tickets for the Live Nation-produced show will be available starting with a Citi presale beginning on Wednesday, April 19. Expect more presales throughout the week ahead of the general onsale, which starts at 10 am Friday, April 21 at livenation.com.

As for the show, fans can expect Culture Club's singalong faves such as "Karma Chameleon," "Church of the Poisoned Mind," and the reggae-inspired song that started it all, "Do You Really Want To Hurt Me.” Boasting seven straight Top 10 hits in the U.S. and UK, Culture Club became a pop powerhouse through the early and mid-'80s, before pausing and eventually disbanding.

A lightning rod for identity politics and a style maverick who often donned androgynous and even head-scratching looks, Boy George (née George Alan O'Dowd) made a grandiose return in 1992 with his haunting, ethereal cover of Dave Berry's "The Crying Game," which became the title song for the Oscar-nominated film of the same name. His resurgence led to his autobiography, Take It Like a Man, which was published in 1995. Devotees rejoiced when the Culture Club trio reunited in 1998, issuing the two-disc set VH1 Storytellers/Greatest Hits. (The current Culture Club lineup features George with bandmates Roy Hay and Mikey Craig.)

A favorite of '80s dance clubs long before they hit the mainstream, electronic dance/New Wave act Berlin shocked and rocked with its single "Sex (I'm A...)," which sparked bans and outrage with its (then) outrageous lyrics and lead singer Teri Nunn's sultry, breathy stylings. Chart toppers "No More Words" and the clubby "The Metro" followed, but the band struck solid gold with its lush ballad "Take My Breath Away," the unforgettable love scene track in Tom Cruise's Top Gun. Herself also an '80s icon, Nunn is seemingly ageless and was recently ranked No. 11 on VH1.com’s “100 Greatest Women in Rock.”

Photo courtesy of Culture Club

Boy George and Culture Club headline "The Letting It Go Show" tour.

With more than 10 million albums sold worldwide, Howard Jones has transitioned from '80s and '90s pop act to current relevance thanks to his poppy, hummable hits being used in screen hits like Stranger Things, Breaking Bad, The Watchmen, and more. Bursting on the scene as a hot new British act with "New Song," Jones (or HoJo as fans know him) followed with anthemic hits like "Everlasting Love," "What is Love," and "Life in One Day." Cherished for those smash singles and the slow singalong "No One is to Blame," he returned in the '90s with feel-good single "Lift Me Up."

Here is the full schedule of "The Letting It Go" tour dates:

Thu Jul 13 – West Palm Beach, FL – iTHINK Financial Amphitheatre

Sat Jul 15 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre

Sun Jul 16 – Jacksonville, FL – Daily's Place Amphitheatre

Tue Jul 18 – Atlanta, GA – Cadence Bank Amphitheatre at Chastain Park

Wed Jul 19 – Charlotte, NC – PNC Music Pavilion

Thu Jul 20 – Nashville, TN – Ascend Amphitheater

Sat Jul 22 – Bethel, NY – Bethel Woods Center for the Arts

Sun Jul 23 – Wantagh, NY – Northwell Health at Jones Beach Theater

Tue Jul 25 – Mansfield, MA – Xfinity Center

Wed Jul 26 – Holmdel, NJ – PNC Bank Arts Center

Fri Jul 28 – Bristow, VA – Jiffy Lube Live

Sat Jul 29 – Darien Center, NY – Darien Lake Amphitheater

Sun Jul 30 – Philadelphia, PA – TD Pavilion at the Mann

Tue Aug 01 – Toronto, ON – Budweiser Stage

Thu Aug 03 – Tinley Park, IL – Hollywood Casino Amphitheatre

Fri Aug 04 – Clarkston, MI – Pine Knob Music Theatre

Sat Aug 05 – Cincinnati, OH – Riverbend Music Center

Tue Aug 08 – Kansas City, MO – Starlight Theatre

Thu Aug 10 – Dallas, TX – Dos Equis Pavilion

Fri Aug 11 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion

Sat Aug 12 – Austin, TX – Germania Insurance Amphitheater

Mon Aug 14 – Rogers, AR – Walmart AMP

Fri Aug 18 – Phoenix, AZ – Talking Stick Resort Amphitheatre

Sat Aug 19 – San Diego, CA – North Island Credit Union Amphitheatre

Sun Aug 20 – Concord, CA – Concord Pavilion

concerts

Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Photo courtesy of A24

Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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