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    concert news

    Goth rock gods The Cure will tour in summer 2023 with date in Dallas

    Alex Bentley
    Mar 9, 2023 | 9:09 am
    The Cure

    Robert Smith and The Cure will play Dos Equis Pavilion on May 13.

    The Cure/Facebook

    Legendary English rock band The Cure is coming to Dallas, part of a North American tour that will include the first Texas stop at Dos Equis Pavilion on Saturday, May 13.

    Called Shows of a Lost World, the tour launches on May 10 in New Orleans, and including two other dates in Texas: Houston on May 12 and Austin on May 14.

    The tour also includes two 3-night stands — at Madison Square Garden in New York and the Hollywood Bowl in Los Angeles — before wrapping up in Miami on July 1. The majority of the venues will be outdoor, including the Dallas date at Dos Equis Pavilion.

    The tour supports a new album that has been in the works since 2019, called Songs of a Lost World, which is forecast to come out sometime this spring.

    This year marks The Cure's 45th anniversary after their formation in 1978. They rose to fame in the late '80s/early '90s with top-selling albums Disintegration and Wish, featuring indelible hits like "Lullaby," "Lovesong," and "Never Enough."

    The last time The Cure came to this side of the pond was 2016, when they played the same three Texas cities. Their last visit before that was in 2008, giving fans precious few opportunities to see them play live.

    The touring lineup includes frontman Robert Smith, the band's only original member, plus guitarist Reeves Gabrels, bassist Simon Gallup, drummer Jason Cooper, keyboardist Roger O’Donnell, and drummer Jason Cooper, plus the surprise return of guitarist/keyboardist Perry Bamonte, who played in the band from 1990-2005.

    Tickets go on sale on Wednesday, March 15 via Ticketmaster Verified Fan Sale, which requires registration to access. Fans can register through March 13 at 10 am Pacific Time.

    In an email sent out to fans, Smith stated that "The Cure have agreed all ticket prices, and apart from a few Hollywood Bowl charity seats, there will be no ‘platinum’ or ‘dynamically priced’ tickets on this tour."

    The tour dates are as follows:

    • May 10 New Orleans, Smoothie King Center
    • May 12 Houston, Toyota Center
    • May 13 Dallas, Dos Equis Pavilion
    • May 14 Austin, Moody Center
    • May 16 Albuquerque, Isleta Amphitheater
    • May 18 Phoenix, Desert Diamond Arena
    • May 20 San Diego, Nicu Amphitheatre
    • May 23-24-25 Los Angeles, Hollywood Bowl
    • May 27 San Francisco, Shoreline Amphitheatre
    • June 1 Seattle, Climate Pledge Arena
    • June 2 Vancouver, Rogers Arena
    • June 4 Salt Lake City, Vivint Smart Home Arena
    • June 6 Denver, Fiddler’s Green Amphitheatre
    • June 8 Minneapolis St. Paul, Xcel Energy Center
    • June 10 Chicago, United Center
    • June 11 Cleveland, Blossom Music Center
    • June 13 Detroit, Pine Knob Music Theatre
    • June 14 Toronto, Budweiser Stage
    • June 16 Montreal, Bell Centre
    • June 18 Boston, Xfinity Center
    • June 20-21-22 New York, Madison Square Garden
    • June 24 Philadelphia, Wells Fargo Center
    • June 25 Columbia, MD Merriweather Post Pavilion
    • June 27 Atlanta, State Farm Arena
    • June 29 Tampa, Amalie Arena
    • July 1 Miami, Miami-Dade Arena
    concertsmusic
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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