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    Deep Ellum News

    Dallas' Deep Ellum gets an unexpected new amenity: valet parking

    Teresa Gubbins
    May 12, 2023 | 2:55 pm
    Deep Ellum

    Valet is coming to the neighborhood.

    Courtesy photo

    Dallas' once-grungy Deep Ellum entertainment district will now offer what is surely an unanticipated new amenity: valet parking.

    The valet service will be open on Thursdays-Sundays beginning May 11, and is not connected with any one business, ergo, it's open to anyone visiting Deep Ellum who doesn't want to park their own car.

    The service is one in a series of new measures introduced by the Deep Ellum Foundation (DEF) to ease access and walkability for visitors to the area's 100-plus restaurants, bars, breweries, nightclubs, shops, apartments, offices, and hotels.

    The valet stand will be located at 2625 Commerce St., between Twisted Root and DOT's Hop House, and is the result of a partnership between DEF, the 501c3 that advocates for the neighborhood, and the owner of the parking lot, says DEF executive director Stephanie Hudiburg.

    "This has been a priority we've been trying to do for a few years," Hudiburg says. "Originally, we were trying to find a way to do it on the public right of way, by using metered parking on the streets. But the parking lot owner is working with us to offer a program that serves the entire district, right in heart of district."

    The lot is the large plot that stretches across a block from Commerce Street to Main, making it accessible to pedestrians from both streets.

    "This particular lot is owned by a property owner who also owns retail, bars, and restaurants, and wanted to offer a holistic customer experience that benefits other businesses as well," she says. (FYI, it's Asana Partners.)

    The valet stand will be in operation Thursdays-Fridays from 6 pm-1 am, and Saturdays-Sundays from 1 pm-1 am. At launch, it will cost $25, although there are hints that the price may increase down the road.

    The valet is one part of a larger program to make it easier for people who want to visit Deep Ellum, Hudiburg says.

    Other parts of the program include:

    • closing down the main streets on weekend nights to pedestrian traffic only, from 10 pm-3 am
    • new bicycle corrals on Main Street, and a new bicycle pump installed at 2626 Main St. in front of the Patagonia store
    • freshly painted crosswalks, at the intersections of Main & Crowdus, Elm & Crowdus, and Elm & Good Latimer Expressway

    There are also 1,000 new parking spaces, and a new/additional dropoff spot in the neighborhood's Rideshare Flow Zones, a program it introduced in 2019 modeled after DFW Airport in which zones have been designated as drop-off/pickup rideshare zones for visitors coming via services such as Uber and Lyft.

    The zones are 1 to 2 blocks away from core activity in Deep Ellum, with the goal of improving traffic flow and emergency vehicle access in the area, and are in play during the busiest nights and weekends.

    The new zone is at 2551 Elm St., in front of Elm & Good at the Pittman Hotel and will launch on May 12.

    It joins the five existing rideshare drop off/pick up zones:

    • Good Latimer Expressway northbound between Main & Commerce
    • Commerce Street eastbound between Crowdus & Malcolm X Boulevard
    • Pryor Street southbound between Main & Commerce AND extended zone on Commerce between Pryor & Henry
    • Malcolm X Boulevard northbound between Indiana & Junius
    • Swiss Avenue westbound between N. Hawkins & Good Latimer Expressway

    The Deep Ellum Foundation has created an entire page dedicated to getting around the neighborhood with charts and maps and such, rendered in a pleasing purple-teal-chartreuse color scheme.

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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