Movie Review

Goofiness keeps Dungeons & Dragons: Honor Among Thieves light on its feet

In the franchise world in which we now live, movie studios are always looking for the next big thing that will ensure fans come flocking to the theater. The role-playing game Dungeons & Dragons has gotten a pop cultural boost in recent years thanks to the Netflix show Stranger Things, and now – just shy of its 50th anniversary – it’s getting its own blockbuster movie, Dungeons & Dragons: Honor Among Thieves.

Photo courtesy of Paramount Pictures

Michelle Rodriguez and Chris Pine in Dungeons & Dragons: Honor Among Thieves

The somewhat complex story centers on two of the titular thieves, Edgin (Chris Pine) and Holga (Michelle Rodriguez), who lead a group of rogues who make a living by stealing, but only from those who deserve it. One such altruistic mission, a relic that can bring back the dead, leads to the pair getting caught and put in jail, separating Edgin from his daughter, Kira (Chloe Coleman).

Fellow thief Forge (Hugh Grant) agrees to look after her, but after a daring escape, Edgin and Holga discover that Forge is even more of a scoundrel than they thought, rising to the title of Lord in their absence with the help of the sorceress Sofina (Daisy Head), and poisoning Kira’s mind against them. They must gather the rest of the team, including Simon (Justice Smith) and Doric (Sophia Lillis), to try to take him down and recover the relic once and for all.

Written and directed by John Francis Daley and Jonathan Goldstein, with help from co-writer Michael Gilio, the film has the unenviable task of turning the famously dense game into something that pleases both fanatics and those unfamiliar with its many characters, creatures, and locations. It’s clear the filmmakers are trying to strike a balance between the two, loading the story with terms they barely attempt to explain while at the same time making the movie as goofy as possible.

Only the second of those two approaches truly works. The problem the filmmakers run into is that this is an introductory film that barely seems to care about introducing its characters. A lengthy speech by Edgin at the beginning attempts to do that, but is staged in such a way that the humor of sequence takes precedence over the details of the people. The only reason the characters wind up likable is because of the sheer amount of time spent with them and the actors’ performances.

Well, that and the comedy sprinkled throughout the film. If Daley, Goldstein, and Gilio do anything right, it’s not taking the material too seriously. The world has already seen Lord of the Rings and Game of Thrones, so adding in funny elements like the wise-cracking Edgin, a supremely fat dragon, and more keeps the film from getting lost in its own minutiae. Not all the jokes land, but 75-80 percent of them do, which is enough to keep the film buoyant.

Pine, as he’s shown in the recent Star Trek and Wonder Woman films, has charm to spare. He occupies this particular role extremely well, and so even if you can’t remember his character’s name, his performance carries the film. Rodriguez is an acquired taste, but her surly demeanor and physical prowess works for her here. The supporting actors shine at times, but the film doesn’t showcase them enough to make them stand out.

While miles better than the reviled 2000 Dungeons & Dragons, Honor Among Thieves is a merely okay beginning for a possible new franchise. There’s some excitement to be had and it stays light on its feet thanks to the comedy, but more attention paid to the story is warranted if they decide to make sequels.

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Dungeons & Dragons: Honor Among Thieves opens in theaters on March 31.

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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Photo courtesy of A24

Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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