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Spies, tweens and Stetsons: 8 TV shows to watch for this winter

Justified
Community
Downton Abbey
Bunheads
The Americans
The Carrie Diaries

January is a tricky time for TV. We’re suffering through the mid-season hiatuses of our primetime favorites, yet many cable offerings return in the new year, and 2013 already boasts a slew of programming to get you through the winter doldrums.

So before you spend January blowing through your entire Netflix queue, brush up on these mid-season TV arrivals.

Downton Abbey
January 6, PBS: 8 pm

After all the war and tragedy that befell season two of this UK import, it seems that happiness may be on the horizon for season three. But if we’ve learned anything from this period drama, the whole happiness thing doesn’t always work out. At season two’s end, Sybil settled with Chauffer Branson, Lavinnia became a non-issue, Anna had some brief wedded bliss with her Mistah Bates, and poor William is no longer. The cast has hinted that a wedding will take place, but will cousins Matthew and Mary be the ones walking down the aisle? Also, Free Bates.

Bunheads
January 7, ABC Family: 8 pm

This quirky comedy reeled us in with its offbeat first season. Penned by Gilmore Girls creator Amy Sherman-Palladino, this tale of a small-town dance studio is back for more, picking up just months after Sutton Foster’s Michelle left her Vegas showgirl gig to marry the ill-fated Hubble. With her status at the dance studio uncertain, will the witty banter go by the wayside? We think not.

Justified
January 8, FX: 9 pm

Timothy Olyphant is back for another season of perfectly tailored jeans and derailing vigilantes. When we left the cowboy hat-wearing U.S. Marshal, he and ex-wife Winona called it quits once again, Boyd Crowder is more or less behind all nefarious goings-on in Harlan, and Dickie Bennett is mad as hell. This season, Olyphant’s Raylan Givens tackles a 30-year-old cold case and a riddle that echoes all the way back to his boyhood and his father.

Girls
January 13, HBO: 8 pm

Lena Dunham’s polarizing comedy returns for a second season, with a whole new batch of first-world problems presenting themselves in the lives of Hannah, Marnie, Jessa and Shoshanna. When we left the twentysomethings, Adam was giving Hannah a dose of some serious real talk, Jessa hastily married guest star Chris O’Dowd, Marnie continued to be whiny and Shoshanna finally got some. Season two finds Hannah on her own, ready to meet a man who isn’t a total creep. Will she find him? Probably not. But it’s funnier that way.

The Carrie Diaries
January 14, The CW: 7 pm

This highly anticipated Sex and the City prequel series follows the life and times of Carrie Bradshaw at the tender age of 16 — bright-eyed, bushy-tailed and eager to start her life in the Big Apple. Now that Gossip Girl is no longer, look for Carrie to fill the sharply dressed void left by Blair, Serena and the gang.

The Americans
January 30, FX: 9 pm

Felicity is back! Keri Russell returns to TV in this drama set in the 1980s portraying one-half of a married couple of KGB spies posing as Americans. The parents of two get their world rocked when an FBI agent moves in next door, as they covertly collaborate with a network of spies and informants under their control. Complicating their relationship even further is Phillip's (Brothers and Sisters star Matthew Rhys) growing sense of affinity for America's values and way of life.

Community
February 7, NBC: 7 pm

The band of Greendale misfits returns for another semester, minus Chevy Chase, and under new creative direction. Will the new season promise as much cult fare as the previous? With a show that’s gone 8-bit, explored the darkest timelines and introduced us to Inspector Spacetime, it’s hard to say. Regardless of its seemingly doomed Friday night time slot, there are sure to be plenty of quirks in store for this NBC fave.

The Walking Dead
February 10, AMC: 8 pm

The Walking Dead finally kicked things up a notch in season three. And by the end of the show’s winter finale, the governor’s daughter and prisoner Oscar died at the siege on Woodbury, and brothers Daryl and Meryl Dixon were reunited but had to face off in a death match. With a ton of new characters, and fresh new alliances starting to form, the conclusion to last season’s cliffhanger is sure to bring more apocalyptic zombie doom. And, sans Lori, which is upsetting to no one.

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Movie Review

Rose Byrne fights for her life and car in new movie 'Tow'

Photo courtesy of Roadside Attractions

Rose Byrne in Tow.

Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

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Tow is now showing in theaters.

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