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    Remote Viewing

    Spies, tweens and Stetsons: 8 TV shows to watch for this winter

    Mikela Floyd Kinnison
    Jan 5, 2013 | 9:00 am
    • Justified
    • Community
    • Downton Abbey
    • Bunheads
    • The Americans
    • The Carrie Diaries

    January is a tricky time for TV. We’re suffering through the mid-season hiatuses of our primetime favorites, yet many cable offerings return in the new year, and 2013 already boasts a slew of programming to get you through the winter doldrums.

    So before you spend January blowing through your entire Netflix queue, brush up on these mid-season TV arrivals.

    Downton Abbey
    January 6, PBS: 8 pm

    After all the war and tragedy that befell season two of this UK import, it seems that happiness may be on the horizon for season three. But if we’ve learned anything from this period drama, the whole happiness thing doesn’t always work out. At season two’s end, Sybil settled with Chauffer Branson, Lavinnia became a non-issue, Anna had some brief wedded bliss with her Mistah Bates, and poor William is no longer. The cast has hinted that a wedding will take place, but will cousins Matthew and Mary be the ones walking down the aisle? Also, Free Bates.

    Bunheads
    January 7, ABC Family: 8 pm

    This quirky comedy reeled us in with its offbeat first season. Penned by Gilmore Girls creator Amy Sherman-Palladino, this tale of a small-town dance studio is back for more, picking up just months after Sutton Foster’s Michelle left her Vegas showgirl gig to marry the ill-fated Hubble. With her status at the dance studio uncertain, will the witty banter go by the wayside? We think not.

    Justified
    January 8, FX: 9 pm

    Timothy Olyphant is back for another season of perfectly tailored jeans and derailing vigilantes. When we left the cowboy hat-wearing U.S. Marshal, he and ex-wife Winona called it quits once again, Boyd Crowder is more or less behind all nefarious goings-on in Harlan, and Dickie Bennett is mad as hell. This season, Olyphant’s Raylan Givens tackles a 30-year-old cold case and a riddle that echoes all the way back to his boyhood and his father.

    Girls
    January 13, HBO: 8 pm

    Lena Dunham’s polarizing comedy returns for a second season, with a whole new batch of first-world problems presenting themselves in the lives of Hannah, Marnie, Jessa and Shoshanna. When we left the twentysomethings, Adam was giving Hannah a dose of some serious real talk, Jessa hastily married guest star Chris O’Dowd, Marnie continued to be whiny and Shoshanna finally got some. Season two finds Hannah on her own, ready to meet a man who isn’t a total creep. Will she find him? Probably not. But it’s funnier that way.

    The Carrie Diaries
    January 14, The CW: 7 pm

    This highly anticipated Sex and the City prequel series follows the life and times of Carrie Bradshaw at the tender age of 16 — bright-eyed, bushy-tailed and eager to start her life in the Big Apple. Now that Gossip Girl is no longer, look for Carrie to fill the sharply dressed void left by Blair, Serena and the gang.

    The Americans
    January 30, FX: 9 pm

    Felicity is back! Keri Russell returns to TV in this drama set in the 1980s portraying one-half of a married couple of KGB spies posing as Americans. The parents of two get their world rocked when an FBI agent moves in next door, as they covertly collaborate with a network of spies and informants under their control. Complicating their relationship even further is Phillip's (Brothers and Sisters star Matthew Rhys) growing sense of affinity for America's values and way of life.

    Community
    February 7, NBC: 7 pm

    The band of Greendale misfits returns for another semester, minus Chevy Chase, and under new creative direction. Will the new season promise as much cult fare as the previous? With a show that’s gone 8-bit, explored the darkest timelines and introduced us to Inspector Spacetime, it’s hard to say. Regardless of its seemingly doomed Friday night time slot, there are sure to be plenty of quirks in store for this NBC fave.

    The Walking Dead
    February 10, AMC: 8 pm

    The Walking Dead finally kicked things up a notch in season three. And by the end of the show’s winter finale, the governor’s daughter and prisoner Oscar died at the siege on Woodbury, and brothers Daryl and Meryl Dixon were reunited but had to face off in a death match. With a ton of new characters, and fresh new alliances starting to form, the conclusion to last season’s cliffhanger is sure to bring more apocalyptic zombie doom. And, sans Lori, which is upsetting to no one.

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    Movie Review

    The Invite delivers smart, sexy laughs with an all-star cast

    Alex Bentley
    Jul 10, 2026 | 11:40 am
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
    Photo courtesy of A24
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

    Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

    Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

    What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.

    Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

    Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

    But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

    In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

    While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

    ---

    The Invite is now playing in theaters.

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