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New museum on the block

Perot Museum of Nature and Science opens big and proud

Alex Bentley
Dec 3, 2012 | 12:58 pm
  • Dallas Mayor Mike Rawlings, Ross Perot, Margot Birmingham and others cut theribbon to officially open the Perot Museum.
    Photo by Spencer Jay
  • Perot Museum CEO Nicole Ginsburg Small speaks to the crowd while flanked (fromright) by museum namesake Ross Perot, Dallas Mayor Mike Rawlings, Carolyn PerotRathjen and Margot Birmingham Perot, among others.
    Photo by Spencer Jay
  • Ross Perot and Margot Birmingham Perot.
    Photo by Spencer Jay
  • Anje Lockhart (left) and Rachael Lincoln of Bandaloop rappelled down thebuilding as part of the opening ceremonies.
    Photo by Spencer Jay
  • Two children enjoying the leap frogs in front of the museum.
    Photo by Spencer Jay
  • Children playing the xylophone in the music garden in front of the Perot Museum.
    Photo by Spencer Jay
  • The balloon man was a popular pre-opening attraction.
    Photo by Spencer Jay

It's been an extraordinarily busy year in Dallas, with no less than four major openings along the downtown/Woodall Rodgers corridor. The final month of 2012 kicked off with the Perot Museum of Nature and Science on Saturday, December 1.

More than 10,000 people packed the museum during opening weekend to check out the museum's 11 exhibit halls, 3D theater and multiple interactive exhibits. In fact, daytime slots to the museum sold out on Saturday, making their decision to stay open until midnight that day seem wise. The museum has already sold about 12,000 memberships.

Multiple dignitaries were on hand for ribbon cutting Saturday morning, including Margot and Ross Perot, the namesakes of the building, plus their five children and multiple grandchildren. Also in attendance were Dallas Mayor Mike Rawlings and other Dallas City Council members, as well as Perot Museum CEO Nicole Ginsburg Small and her family.

While the adults beamed at their accomplishment, kids banged on xylophones in the music garden and watched Bandaloop rappel down the side of the building — just a taste of the learning and excitement to come.

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Want to see our city's influencers playing in the museum? Then check out our coverage of the Perot Museum opening gala.

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news/entertainment

Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

movies film
news/entertainment

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