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    Outlaw Josie wails

    Top Chef Seattle hits the roller derby, where nice guys finish last

    Teresa Gubbins
    Dec 27, 2012 | 3:40 am
    • You can spot the members of the roller derby team by their green hoodies.
      Photo courtesy of Bravo
    • Tesar reminisces about his boyhood days in the Hamptons when he ate oysters forbreakfast, lunch and dinner.

    Episode eight of Top Chef Seattle sets up its premise pretty quickly: Tough-talking tomboy cheftestant Josie is a boor. OMG she talks so much. Talk talk talk. She's so obnoxious, so rude.

    But will she go home? Nope. The nice guy goes home, and Josie stays — and we get punk'd by Top Chef again.

    We get punk'd because Bravo does what Bravo does: It cherry-picks scenes to prod you into piling all over Josie until you realize you're being goaded into hating on a woman for being unfeminine, and the icky misogyny of it all makes you feel a little sick.

    When the chefs break into teams, nobody wants to be Josie's partner, so sweet, easygoing Bart falls on the sword. But he pays the price.

    Mud bugs
    The episode begins with another slimy commercial for a car. It has a touch screen! And a steering wheel. It is like a chariot of the gods that transports the chefs to a shellfish farm. Hmm, shellfish — must be clams, Josh Valentine surmises.

    Close, Josh. It's oysters. The chefs don rubber boots and are set free like crabs on a sandy bog to forage for oysters, which they will have to prepare for mole-like judge Emeril Lagasse.

    Tesar does classic Tesar: "I have a lot of experience with oysters," he declares, before cutting one open and slurping it from the shell, with the camera cocked at an angle to make him look heroic. The others stir from the mud to ape his behavior: cracking open shells, smacking their lips, waxing about how it can't get any fresher than this.

    But Josie's boots get stuck and she can't move; Micah has to pull her out. What an aggravating dunce she is. If only they could leave her in the mud. Then all their problems would be solved.

    Roller girls
    For the elimination challenge, the chefs must cook for one of Seattle's top "sports" teams. The "sports team" — wink, wink — turns out to be a women's roller derby team. That can't be right, can it?

    After that shticky revelation, the show's interest level drops off a cliff. There's some fancy roller derby shots taken with a camera strapped to a skate, but otherwise, all that's left is to flog Josie.

    She whoops at the roller rink. She spills her beer. She reveals that she played professional football. Her loudness offends Josh Valentine, who sniffs disapprovingly, and we know how refined he is.

    When the chefs break into teams, nobody wants to be Josie's partner, so sweet, easygoing Bart falls on the sword. But he pays the price. When their team comes out on the bottom for underseasoned, overcooked rice, he gets the axe, not Josie.

    The show sheepishly acknowledges that he has a tendency to under-salt but nonetheless allows the malevolent implication to linger, that somehow Josie is the one who should have gone home. For shame, Bravo, for shame.

    unspecified
    news/entertainment

    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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