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    Event planner

    Valentine's Day and Chinese New Year top the best events in Dallas this weekend

    Alex Bentley
    Feb 14, 2013 | 12:00 am

    It's Valentine's Day weekend, which means there are plenty of romantic options out there for those of us lucky to be in love. But if you're kicking it single-style this year, don't fret: Most of this week's events don't require a partner.

    Below are the best options for your precious free time Thursday through Sunday. Don't like what you see? Lucky for you, we have a much longer list of the city's best events.

    Thursday, February 14

    Lexus Broadway Series presents Anything Goes!
    The Cole Porter musical dates back to 1934, but it's as timeless as any song-and-dance production that's hit the Great White Way, as evidenced by its recent Tony Award-winning revival. That revival is currently on a national tour, and it makes a stop at Winspear Opera House through February 24. They even have a special Valentine's Day matinee for anyone looking to surprise a loved one.

    Klyde Warren Park presents Valentine's Day at the Park
    The first Valentine's Day in Klyde Warren Park's short existence promises to be an ultra-romantic one, as there will be champagne, desserts and sultry music all night long. Whether you hit up the park on the way to dinner or make it the main attraction, KWP is the place to be this Valentine's Day.

    Patti Labelle in concert with Bobby Brown, Johnny Gill and Ralph Tresvant
    If the soul/R&B lineup at American Airlines Center, appropriately labeled the Love Train tour, doesn't get you in the mood for love, then nothing will. It features three former members of New Edition —Brown, Gill and Tresvant — and the concert is headlined by one of the queens of R&B, Patti Labelle. At least five other singers are on the bill, so one thing the night won't be lacking is entertainment.

    Friday, February 15

    Dallas Symphony Orchestra presents Romeo and Juliet
    The story of Romeo and Juliet is, of course, one of the most tragic love stories of all time, so there isn't any more appropriate time for the Dallas Symphony Orchestra to present Prokofiev's Romeo and Juliet Suite than Valentine's Day weekend. The concert, which also features works by Debussy and Rodrigo, runs through Sunday at Meyerson Symphony Center.

    Crow Collection of Asian Art presents 2013 Chinese New Year Celebration
    Yes, technically the Chinese New Year began last Sunday, but who wants to have a nighttime street fair on a Sunday? The Crow Collection of Asian Art takes over Flora Street with a parade, a variety of art-making activities, and food trucks like Nammi and Ssahm BBQ. As a bonus, visitors can get a sneak peek at the Crow's new collection, China Through the Lens of John Thomson 1868-1872, which doesn't officially open until Saturday.

    Saturday, February 16

    Dallas Summer Musicals presents Catch Me If You Can
    Don't let the name fool you: Dallas Summer Musicals presents shows at the Music Hall at Fair Park year-round. The 2013 season kicks off with a crowd-pleaser, Catch Me If You Can, the musical based on the Steven Spielberg movie that was based on the book of the real life of con man Frank Abagnale. The show, which started Tuesday, runs through February 24.

    2013 Monster Energy AMA Supercross
    The confines of Cowboys Stadium are so large that it could likely fit two normal-sized stadiums inside, so when AMA Supercross is looking for a local spot to stage one of its competitions, Jerry World is the only logical choice. The best of the best from the Supercross tour will jump, skid and hopefully not crash on the dirt course set up right where the Cowboys crashed and burned.

    Sunday, February 17

    The Complete Works of Shakespeare - Henry VI, Part 1
    With the fifth entry in the five-year quest to present staged readings of every single Shakespearean work, Shakespeare Dallas is finally going back to the beginning of the Bard's career with the presentation of Henry VI, Part 1. It is the first play in the War of the Roses tetralogy, which will be presented in order at Winspear Opera House over the next four months. This reading happens in Hamon Hall on Sunday and Monday.

    500X Gallery presents EXPO 2013
    If you're interested in seeing what's new and great in Texas art, you'd do well to stop by 500X Gallery the next few weekends. The annual EXPO, a showcase of works created by artists from around the Lone Star State, is now on display. The competition, judged by Iris Bechtol, runs through March 3.

    Patti Labelle headlines the Love Train concert at American Airlines Center on Valentine's Day.

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    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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