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    Zombie-rrific

    Warm Bodies proves that not all zombies have cold hearts

    Alex Bentley
    Feb 1, 2013 | 12:00 am
    Warm Bodies proves that not all zombies have cold hearts
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    If you’re going to make a zombie-centric movie at this point, you’d better have something special. Straight-up horror movies are a dime a dozen — and now outdone by TV's The Walking Dead anyway — and comedic riffs have long been popular as well.

    But a romantic comedy between a zombie and a human? Now that’s unique. That’s the central premise in Warm Bodies, based on the book of the same name.

    R (Nicholas Hoult) is one of a horde of zombies mindlessly shuffling around an airport after an apocalypse has decimated much of humankind. R narrates the story through a quite lucid voiceover, although in real life he’s able to do little more than grunt and moan.

    Warm Bodies abides by some established zombie conventions while adding in its own twists.

    When he encounters Julie (Teresa Palmer) while on a feeding spree, things start to change. Instantly smitten, he rescues her instead of eating her, taking her back to his home, an abandoned airplane.

    He ostensibly does this to keep her safe from other zombies and so-called “bonies” — zombies that have given up all pretenses of being human at all — but it’s clear he has more than security on his addled mind.

    Like any good zombie movie, Warm Bodies abides by some established zombie conventions while adding in its own twists. Zombies move with the familiar slow gait, but they are capable of great speed when a situation calls for urgency. Brains are still the food of choice, but only because they provide a glimpse into the memories of the person they are eating.

    Of course, the biggest twist is that a zombie and a human could have any kind of relationship whatsoever. Writer/director Jonathan Levine (50/50) does a great job of selling the pairing of R and Julie. He never forces the issue, letting it slowly evolve to the point that having her fall for him seems perfectly natural.

    One of the biggest keys to the relationship’s success is Hoult’s performance. Right from the start, he puts just the faintest twinkle in those dead eyes to let you know that R is different from other zombies. He keeps adding little flourishes throughout the film that lead to a character that’s fully fleshed out in every sense of the word.

    Palmer is great as the unwitting object of zombie affection. Her reactions to certain turns of events lead to some of the film’s best moments. Also strong are John Malkovich as the leader of the surviving humans and Julie’s father, and Rob Corddry as M (R’s best friend).

    Warm Bodies is unlike any romantic comedy you’ve ever seen, delivering a clever film capable of warming even the coldest of hearts.

    Warm Bodies
    Photo courtesy of Summit Entertainment
    unspecified
    news/entertainment

    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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