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    Zombie-rrific

    Warm Bodies proves that not all zombies have cold hearts

    Alex Bentley
    Feb 1, 2013 | 12:00 am
    Warm Bodies proves that not all zombies have cold hearts
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    If you’re going to make a zombie-centric movie at this point, you’d better have something special. Straight-up horror movies are a dime a dozen — and now outdone by TV's The Walking Dead anyway — and comedic riffs have long been popular as well.

    But a romantic comedy between a zombie and a human? Now that’s unique. That’s the central premise in Warm Bodies, based on the book of the same name.

    R (Nicholas Hoult) is one of a horde of zombies mindlessly shuffling around an airport after an apocalypse has decimated much of humankind. R narrates the story through a quite lucid voiceover, although in real life he’s able to do little more than grunt and moan.

    Warm Bodies abides by some established zombie conventions while adding in its own twists.

    When he encounters Julie (Teresa Palmer) while on a feeding spree, things start to change. Instantly smitten, he rescues her instead of eating her, taking her back to his home, an abandoned airplane.

    He ostensibly does this to keep her safe from other zombies and so-called “bonies” — zombies that have given up all pretenses of being human at all — but it’s clear he has more than security on his addled mind.

    Like any good zombie movie, Warm Bodies abides by some established zombie conventions while adding in its own twists. Zombies move with the familiar slow gait, but they are capable of great speed when a situation calls for urgency. Brains are still the food of choice, but only because they provide a glimpse into the memories of the person they are eating.

    Of course, the biggest twist is that a zombie and a human could have any kind of relationship whatsoever. Writer/director Jonathan Levine (50/50) does a great job of selling the pairing of R and Julie. He never forces the issue, letting it slowly evolve to the point that having her fall for him seems perfectly natural.

    One of the biggest keys to the relationship’s success is Hoult’s performance. Right from the start, he puts just the faintest twinkle in those dead eyes to let you know that R is different from other zombies. He keeps adding little flourishes throughout the film that lead to a character that’s fully fleshed out in every sense of the word.

    Palmer is great as the unwitting object of zombie affection. Her reactions to certain turns of events lead to some of the film’s best moments. Also strong are John Malkovich as the leader of the surviving humans and Julie’s father, and Rob Corddry as M (R’s best friend).

    Warm Bodies is unlike any romantic comedy you’ve ever seen, delivering a clever film capable of warming even the coldest of hearts.

    Warm Bodies
    Photo courtesy of Summit Entertainment
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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