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    B-Movie News

    Fun new film festival in Garland will be a campy horror B-movie delight

    Alex Bentley
    Aug 9, 2023 | 1:50 pm
    Still from The Killer Shrews

    B-movies made in Texas will be showcased at the inaugural It Came From Texas Film Festival.

    Photo courtesy of It Came From Texas Film Festival

    A campy-cool new film festival is coming to town: Called It Came From Texas Film Festival, it promises to be a B-movie delight, and it's coming to Garland just in time for Halloween.

    According to a release, the festival will feature B-movies that were shown at drive-in movie theaters around the country in the 1950s, '60s, and '70s — quirky, campy films made in Texas that fit the horror/sci-fi genre.

    A first for Garland, the festival will take place at The Plaza Theatre in Garland on October 28 and 29.

    While B-movies will comprise the majority of the festival, the spotlight film of the event will be a screening of 1974's The Texas Chain Saw Massacre. Since its debut, the film has become one of the most influential horror films in history.

    Screening immediately prior to that seminal film will be the 2020 documentary, Rondo & Bob, which focuses on Art Director Bob Burns, the horror film legend who created the look of the film. Burns was obsessed with B-movie actor Rondo Hatton, an average man whose face was transformed into a distorted mask.

    B-movies being screened at the festival include Zontar: Thing from Venus, Manos: The Hands of Fate, Don't Look in the Basement, Beyond the Time Barrier, The Amazing Transparent Man, Attack of the Eye Creatures, and The Killer Shrews.

    The festival will also feature short films made by the students of the Garland High School Reel Owl Cinema film program.

    The Mocky Horror Picture Show, Texas' only interactive movie mocking comedy troupe, will close out the festival by making fun of Ray Kellogg's 1959 cheesy horror classic, The Giant Gila Monster.

    Early bird festival passes are $50, increasing to $60 on September 16. Passholders receive early admission, a commemorative poster, and discounts from participating businesses.

    Individual film tickets range from $7-$15. Both passes and individual film tickets will go on sale on Monday, August 14 at GarlandArts.com.

    The name of the festival is a nod to the Dallas Producers Association fundraisers from 2005-2017, which were called It Came From Dallas.

    "All of the elements were right there to make this a state-wide celebration of many of Texas' best features through the years, as well as some of the campy, quirky, at times cringe-worthy fun films of days gone by," says film festival director Kelly Kitchens in a statement. "We are grateful to the City of Garland and the Garland Cultural Arts team for cheering on this quirky effort so joyfully.”

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    news/entertainment

    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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    news/entertainment

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