Concert News

Godsmack presides over Rise of Rock World Tour coming to Irving

Godsmack will play The Pavilion at Toyota Music Factory in Irving on May 27, 2026.

Photo courtesy of Godsmack

The band Godsmack still believes in the power of rock music, and they'll show it on the extensive The Rise of Rock World Tour, which will come to The Pavilion at Toyota Music Factory in Irving, TX, on Wednesday, May 27.

The 39-city North American leg of the tour will start on May 7 in Daytona Beach, Florida, with three Texas cities following shortly thereafter: Irving on May 27, Austin on May 29 and Houston suburb The Woodlands on May 30.

The tour will head to Europe in July and August before coming back to the U.S. for another 12 dates, including a stop in El Paso on September 6.

Godsmack will be joined on all North American dates by special guests Stone Temple Pilots and Dorothy.

The tour will feature a career-spanning set that celebrates their nearly 30-year legacy while also ushering in a new chapter. Godsmack has released nine studio albums in their career, most recently Lighting Up the Sky in 2023.

They had a trio of No. 1 albums in the 2000s, and have had a string of No. 1 hits on the Mainstream Rock charts.

Citi cardmembers will have access to presale tickets beginning on Tuesday, February 3 at 10 am until Friday, February 6 at 9 am through the Citi Entertainment program.

The general on-sale begins on Friday, February 6 at 10 am at Ticketmaster.com.

GODSMACK - THE RISE OF ROCK WORLD TOUR 2026 DATES

Thu May 7 – Daytona Beach, FL – Welcome to Rockville
Sat May 9 – Camden, NJ – MMRBQ
Sun May 10 – Bristow, VA – Jiffy Lube Live
Tue May 12 – Virginia Beach, VA – Veterans United Home Loans Amphitheater
Thu May 14 – Charlotte, NC – Truliant Amphitheater
Sat May 16 – Raleigh, NC – Coastal Credit Union Music Park
Sun May 17 – Columbus, OH – Sonic Temple
Tue May 19 – Franklin, TN – FirstBank Amphitheater
Thu May 21 – Alpharetta, GA – Ameris Bank Amphitheatre
Sat May 23 – Huntsville, AL – Orion Amphitheater
Sun May 24 – Orange Beach, AL – The Wharf Amphitheater
Wed May 27 – Irving, TX – The Pavilion at Toyota Music Factory
Fri May 29 – Austin, TX – Germania Insurance Amphitheater
Sat May 30 – Houston, TX – The Cynthia Woods Mitchell Pavilion Sponsored by Huntsman
Fri Jun 12 – Kansas City, MO – MORTON Amphitheater
Sun Jun 14 – St. Louis, MO – Hollywood Casino Amphitheater
Tue Jun 16 – Grand Rapids, MI – Acrisure Amphitheater
Thu Jun 18 – Noblesville, IN – Ruoff Music Center
Sat Jun 20 – Tinley Park, IL – Credit Union 1 Amphitheatre
Sun Jun 21 – Clarkston, MI – Pine Knob Music Theatre
Tue Jun 23 – Burgettstown, PA – The Pavilion at Star Lake
Wed Jun 24 – Toronto, ON – RBC Amphitheatre
Sat Jun 27 – Wantagh, NY – Northwell at Jones Beach Theater
Sun Jun 28 – Holmdel, NJ – PNC Bank Arts Center
Tue Jun 30 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview
Thu Jul 2 – Mansfield, MA – Xfinity Center
Fri Jul 3 – Bangor, ME – Maine Savings Amphitheater
Sun Sep 6 – El Paso, TX – Speaking Rock Casino
Mon Sep 7 – Albuquerque, NM – Isleta Amphitheater
Wed Sep 9 – Denver, CO – JUNKYARD
Fri Sep 11 – Las Vegas, NV – Planet Hollywood Resort & Casino
Sat Sep 12 – Phoenix, AZ – Talking Stick Resort Amphitheatre – KUPD UFest
Tue Sep 15 – Chula Vista, CA – North Island Credit Union Amphitheatre
Thu Sep 17 – Anaheim, CA – Honda Center
Sat Sep 19 – Mountain View, CA – Shoreline Amphitheatre
Sun Sep 20 – Corning, CA – Rolling Hills Casino and Resort
Tue Sep 22 – Bend, OR – Hayden Homes Amphitheater
Thu Sep 24 – Auburn, WA – White River Amphitheatre
Sat Sep 26 – Nampa, ID – Ford Idaho Center Amphitheater – KQXR XFest

concerts music

Movie Review

Jodie Foster brings depth and wit to French thriller A Private Life

Photo by Georges Lechaptois

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Jodie Foster has been a member of the Hollywood community for almost 60 years, first as a child actor on TV, and then branching out into movies. She earned an Oscar nomination at the tender age of 14 for her role in Taxi Driver, and she’s gone on to be nominated five times, winning twice. Now, at age 63, she’s showing she’s still capable of surprises by fluently speaking another language in the French film, A Private Life.

Foster plays Lilian Steiner, a psychiatrist who sees patients out of her Parisian apartment. When she learns of the death of one of her patients, Paula (Virginie Efira), she’s sad but otherwise unaffected until a few suspicious things start happening. This includes the robbery of her apartment, in which a recording of Paula’s last session with Lilian goes missing.

With the help of her ex-husband, Gabriel (Daniel Auteuil), Lilian becomes an amateur private detective, tracking the movements of Paula’s husband, Simon (Mathieu Amalric), whom she increasingly suspects of murder. At the same time, Lilian must navigate a tense relationship with her son, Julien (Vincent Lacoste), along with an unexpected rekindling of romance with Gabriel.

Written and directed by Rebecca Zlotowski, and co-written by Anne Berest, it is a psychological thriller that at times feels like an Inspector Clouseau movie. With little to go on but her own perhaps misguided suspicions, Lilian digs herself deeper into a situation of her own making. And she further clouds her mind by indulging in a tryst with Gabriel, who’s all too eager to help Lilian pursue her criminal theories. While the film is not a comedy, there are elements of humor that pop in to keep the story light.

Zlotowski plays with the competing tones of the story well, keeping viewers on Lilian’s side even as she indulges in things that might not be the healthiest for her. Lilian’s various eccentricities - an adherence to recording on old-fashioned mini discs instead of fully digital, keeping an emotional distance from her son and grandson - make her a fascinating character whose vacillating motivations keep viewers guessing as to what she’ll do next.

In a lot of ways, the film is a study of how Lilian needs to try to find ways to heal herself. The possibility of Paula being murdered wakes Lilian up to the idea that she has not been as attentive a doctor as she should be. The sessions with different patients that Zlotowski shows give the impression that there’s a general level of dissatisfaction with her, with one patient outright breaking up with her.

Foster is no less compelling speaking mostly in French than she is in English language movies. Her fluency is never in doubt, and she fits in seamlessly with the actual French actors in the film. Auteuil is a fun counterpart for Foster, showing an unexpected chemistry with her that keeps their scenes crackling with energy. Amalric, a Wes Anderson favorite, has a relatively small role but still stands out when he gets a chance.

A Private Life is not the type of thriller that American audiences might be used to, but its slow, methodical storytelling and subtle humor make it an interesting watch from beginning to end. The film is not up for any awards, but Foster’s performance shows she remains a top-tier actor.

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A Private Life is now playing in select theaters.

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