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Radio News

One of Dallas' last rock stations KEGL The Eagle flips to sports talk radio

Teresa Gubbins
Oct 3, 2022 | 3:46 pm
mike rhyner

Mike Rhyner posted a photo of himself on Twitter announcing his new employer.

Twitter

In what is the worst-kept secret in the history of radio, longtime Dallas rock radio station 97.1 "The Eagle" KEGL-FM has changed to a talk radio format, headed up by big radio name Mike Rhyner, effective October 3.

The station has rebranded as 97.1 The Freak, first reported by Richie Whitt on Sports Illustrated, featuring Rhyner, the former co-host of "The Hardline" afternoon show on 1310/96.7 The Ticket KTCK, from 1994 until he retired in January 2020.

"It is finally here, The Freak weekday afternoons from 3 until 7 pm, I can't tell you how happy I am to be here," Rhyner said, before welcoming what he called his "longtime soulmate," Mike Sirois.

Other programming on the channel will include personalities from SportsMap, the national sports radio network owned by Houston-based Gow Media, which also owns CultureMap. Airing on The Freak will be SportsMap Radio's Jason Page, who hosts a show called The Cash In, and Cole Thompson, who hosts a show called Just Sayin' It; they'll debut on October 3 at 10 pm.

Before unveiling The Freak, the station aired a quick history of KEGL's previous formats including rock, top 40, even Spanish oldies, since its 1981 launch, with eras featuring Kidd Kraddick, pop, grunge, and Howard Stern.

In their opening, Rhyner and Sirois discussed the weekend broadcast that led up to the switch.

"We had freak songs all weekend and then Tom Petty's 'The Waiting' all day long — this is called stunting," Rhyner said. "That's what radio stations did, to find some way to while away the hours, but not give away too much."

The new lineup is as follows:

  • 7-11 am: The Speakeasy with Jeff Cavanaugh, Kevin “KT” Turner, Julie Dobbs and Matt Cather
  • 11 am-3 pm: The Ben & Skin Show with Ben Rogers, Jeff “Skin” Wade, Krystina “K-Ray” Ray and Michael “Grubes” Gruber
  • 3-7 pm: The Downbeat featuring Rhyner, Sirois and Gruber

While Rhyner is known for helping to co-found the concept of sports radio, KEGL owner iHeartRadio is describing the new format as “We Talk About What We Want" — so not just sports, but "Guy Talk."

"We're going to be given the latitude to talk about whatever we want," Rhyner said. "Everyone here has a substantial sports background, we are sports radio nerds. But we also have another side to our radio profile and we're going to be allowed to explore that without fear of program director retribution. They know what we're going to do and they said, 'Go get 'em, boys.'"

"Welcome back to the show that apparently never ends," Rhyner said.

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Movie Review

Spider-Man: Brand New Day sets a new standard for comic book movies

Alex Bentley
Jul 30, 2026 | 1:02 pm
Tom Holland in Spider-Man: Brand New Day
Photo courtesy of Sony Pictures
Tom Holland in Spider-Man: Brand New Day.

Ever since Spider-Man became part of the Marvel Cinematic Universe, the character’s stand-alone movies have been notable for maintaining their own vision despite having to service the larger MCU storyline. The emotionality of the series reached its high point in No Way Home by bringing back two former Spider-Mans - Tobey Maguire and Andrew Garfield - to assist Tom Holland in a multiversal storyline.

The heart displayed in that film is superseded by Spider-Man: Brand New Day, in which Peter Parker (Holland) is now alone in the world following the events of the previous film. For years, he has done his best to stay busy by stopping in-progress crimes and checking in with Detective Jean DeWolff (Liza Colón-Zayas), but the twin traumas of losing Aunt May (Marisa Tomei) and forcing girlfriend MJ (Zendaya) and best friend Ned (Jacob Batolon) to forget him still weigh heavily on him.

Almost simultaneously, Peter starts experiencing a change in his physiology and is challenged by a new threat who has a power he does not know how to defeat. As he struggles with both of those things, he asks for help from a variety of sources, including Professor Bruce Banner (Mark Ruffalo), Frank Castle, aka The Punisher (Jon Bernthal), and - despite not knowing who he is - MJ and Ned, who are now roommates in New York following their college years at MIT.

Directed by Dustin Daniel Cretton and written by Chris McKenna and Erik Sommers (who have written each of the Holland Spider-Man films), the movie has a near-perfect blend of comic book spectacle and small-scale intimacy. Spider-Man’s ability to swing through New York’s urban landscape with ease provides plenty of opportunities for great action sequences, but the character’s focus on keeping the streets safe and finding a way back to his friends makes the story still feel manageable.

This is aided by the decision to not go overboard with the MCU connections. Bruce Banner/Hulk and a member of the New Avengers show up, but in relatively small roles. The Punisher makes the leap from TV to the movies, and the interaction between him and Spider-Man feels organic. So too does the super-secret villain, whose impact is felt well before they ever show up on screen thanks to a power that is as mysterious as it is effective.

While the action is abundant in the film, the filmmakers lean on emotion much more than most other comic book movies. Peter’s journey back to a semblance of a normal life is well-earned, with his reconnection with MJ and Ned slow-walked in an admirably subtle way. And in the final act, when CGI battles typically take over, the interior lives of Peter and other characters play as much a role in what happens as anything they do physically.

Holland, who tends to take criticism for non-Spider-Man roles, remains the ideal actor for the role. His open-heartedness makes him relatable, his athleticism makes him believable, and he crushes the heavier moments. He and Zendaya, who are now married in real life, work tremendously well together, and Batalon is a fun third wheel. Other standouts include Bernthal, Colón-Zayas, Trammell Tillman, and Stranger Things’ Sadie Sink.

From beginning to end, Spider-Man: Brand New Day now owns the title as best movie in the current Spider-Man universe. By maintaining connections to past movies, solidly incorporating new characters, and pointing to the future without making it the whole story, it demonstrates a model for how comic book movies should be done.

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Spider-Man: Brand New Day opens in theaters on July 31.

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